Tsp2000-05-21: Difference between revisions
No edit summary |
m corrected lowest circulating generation |
||
(30 intermediate revisions by 3 users not shown) | |||
Line 16: | Line 16: | ||
! align="left" | Capacity | ! align="left" | Capacity | ||
| 4,421 | | 4,421 | ||
|- | |||
! align="left" | Lineup | |||
| Corgan, Iha, Chamberlin, Auf der Maur | |||
|- | |||
! align="left" | Order of Bands | |||
| The Smashing Pumpkins | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
Line 28: | Line 34: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| CSBMod>D7 | | CSBMod > TCD-D7(32k) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 111m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
Line 37: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DDC-1 | | DDC-1 > FLAC | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2000-05-21.csb.d7.flac16 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Diginoise | | Diginoise throughout recording (per master) -- may actually be coming from PA. Left side of stands, 40 feet from stage. | ||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
Line 53: | Line 62: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| CSBMod>D7 | | CSBMod > TCD-D7 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 62: | Line 71: | ||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | Left side of stands. ~10 ft. above and behind soundboard. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ||
Line 73: | Line 82: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| CSHEB>M1 | | CSHEB > M1 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 80: | Line 89: | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| Unknown | | Unknown | ||
|- | |||
! align="left" | Notes | |||
| 10 feet from stacks. | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | ||
Line 90: | Line 102: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| CSBMod> | | CSBMod > SBM-1 > M1 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 107: | Line 119: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| CSBMod>MZ-R90 | | CSBMod > MZ-R90 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 116: | Line 128: | ||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | Front of board, brickwalled. | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| Hi8 | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| 90m | |||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! align="left" | Notes | |||
| Rock On and BWBW/Once in a Lifetime are cut | |||
|- | |- | ||
|} | |} | ||
== Setlist == | == Setlist == | ||
---- | ---- | ||
Set: | |||
* Rock On [Essex] | * Rock On [Essex] | ||
* The Everlasting Gaze | * The Everlasting Gaze | ||
Line 126: | Line 159: | ||
* Wound | * Wound | ||
* Blue Skies Bring Tears | * Blue Skies Bring Tears | ||
* I Am One | * I Am One (with rant) | ||
* Blew Away | * Blew Away | ||
* Stand Inside Your Love | * Stand Inside Your Love | ||
Line 138: | Line 171: | ||
* Zero | * Zero | ||
* Heavy Metal Machine | * Heavy Metal Machine | ||
Encore: | Encore: | ||
* Cherub Rock | * Cherub Rock | ||
* Bullet with Butterfly Wings | * Bullet with Butterfly Wings | ||
** Once in a Lifetime [Talking Heads] | ** Once in a Lifetime [Talking Heads] [4:26] | ||
=== Notes === | |||
* To Sheila, Muzzle, Disarm, and Ava Adore performed acoustic | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | '''Rock On'''<br> | ||
'''The Everlasting Gaze'''<br> | |||
'''I of the Mourning'''<br> | |||
BC: Thank you very much.<br> | |||
'''Wound'''<br> | |||
'''Blue Skies Bring Tears'''<br> | |||
'''I Am One'''<br> | |||
(BC in normal rant spot: Good evening, ladies and gentlemen. Good evening, good evening, good evening. Welcome to the last gasps of a revolution. Yes, heh heh heh. No, it’s not dead, it’s still alive. The beast will always live in your heart, right? We are the machines....)<br> | |||
BC: Thank you very much, thank you. ... I’d like to introduce to you a member of the band who, I think if it wasn’t for him there would be no more whales left in the world. He’s led the charge on enviro-concern. He takes this very seriously. Mr. James Iha.<br> | |||
'''Blew Away'''<br> | |||
'''Stand Inside Your Love'''<br> | |||
Le Deux Machina (tape)<br> | |||
'''To Sheila''' (Billy acoustic w/Iha)<br> | |||
BC: So, um, coming up pretty soon, we’re gonna do one of those VH1 Storyteller thingies. So um, as a way of practicing, I’ll tell you what this next song is about. This next song was written for the Mellon Collie and the Infinite Goading [unintelligible]. This isn’t very good for TV, you can’t cheer, see. You have to let me do my spiel, then you cheer. We’re on TV, it’s pretending. Anyway. So um, I used to sit up in my living room and play the piano and stare out the window and um, during the height of the Mellon Collie madness, I had three stalkers, all of them male, which I’m not very proud of. And uh, you know you sit in your house and you play the piano and you stare across the street and you see these young men stalking you and you think “What have I actually said to make them want to stalk me?” - you know?<br> | |||
Girl in crowd: They wanted your dick!<br> | |||
BC: I would like to think they wanted more than that. But you could be right. So I wrote this next song and I was sort of searching for a title and I thought to myself that I was probably saying too much and that’s what was sort of attracting these lunatics - or fine young men, depending on how you look at it - to me and so that’s how I came up with the title because I thought I really should shut the fuck up and not say these things. So, I don’t really know where that story went but for those young men out in the audience, when you hear this song, if you’re attracted to this song, I’m sure there’s other alternative rock icons who want your attention.<br> | |||
'''Muzzle''' (Billy solo acoustic)<br> | |||
'''Disarm''' (acoustic)<br> | |||
BC: I’d like to take a moment to introduce the band to you tonight. As opposed to any other night. On the lead guitar, Smirky Legs Hoolihan. On the thundering disco bass, Lucy Original Sinner! On the lead maracas... ''(Jimmy snare hit) (laughing)''...Fred from Lithuania!<br> | |||
Iha: And, ladies and gentlemen, from CNN, Wolf Blitzer on lead vocals.<br> | |||
'''Ava Adore''' (acoustic)<br> | |||
'''Today'''<br> | |||
'''Tonight, Tonight'''<br> | |||
> '''Glass and the Ghost Children'''<br> | |||
BC: Uhhh. Are you catching this signal or...? Heh heh heh. Change of plan. Disco time.<br> | |||
'''Zero'''<br> | |||
'''Heavy Metal Machine'''<br> | |||
BC: Thank you very much.<br> | |||
Iha: [unintelligible]<br> | |||
BC: That’s the end of the concert, we’re just going to stand here.<br> | |||
'''Cherub Rock'''<br> | |||
BC: Thank you.<br> | |||
[encore break]<br> | |||
Iha: Thank you, thank you, thank you.<br> | |||
'''Bullet with Butterfly Wings'''<br> | |||
> '''Once in a Lifetime'''<br> | |||
BC: Thank you, thank you, thank you. Thank you for a great concert. Thank you for a wonderful evening. Thank you. We don’t know when we’re gonna be back this way again so thank you for coming tonight. Thank you.<br> | |||
Iha: Thanks.<br> | |||
BC: Goodnight everybody.<br> | |||
Iha: Goodnight everybody, thanks, thanks a lot.<br> | |||
</blockquote> | </blockquote> |
Latest revision as of 21:25, 19 September 2022
The Smashing Pumpkins | |
---|---|
Date | 2000-05-21 |
Venue | Santa Barbara Bowl |
Location | Santa Barbara, CA, US |
Venue Type | Ampitheater |
Capacity | 4,421 |
Lineup | Corgan, Iha, Chamberlin, Auf der Maur |
Order of Bands | The Smashing Pumpkins |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | CSBMod > TCD-D7(32k) |
Length | 111m |
Complete? | Yes |
Lowest Circulating Generation | DDC-1 > FLAC |
Live Music Archive | 16-bit download |
Notes | Diginoise throughout recording (per master) -- may actually be coming from PA. Left side of stands, 40 feet from stage. |
Unsurfaced Recordings | |
AUD #2 | |
Source | AUD |
Format | DAT |
Equipment | CSBMod > TCD-D7 |
Length | 110m |
Complete? | Yes |
Notes | Left side of stands. ~10 ft. above and behind soundboard. |
AUD #3 | |
Source | AUD |
Format | DAT |
Equipment | CSHEB > M1 |
Length | 110m |
Complete? | Unknown |
Notes | 10 feet from stacks. |
AUD #4 | |
Source | AUD |
Format | DAT |
Equipment | CSBMod > SBM-1 > M1 |
Length | 110m |
Complete? | Unknown |
AUD #5 | |
Source | AUD |
Format | MD |
Equipment | CSBMod > MZ-R90 |
Length | 110m |
Complete? | Unknown |
Notes | Front of board, brickwalled. |
AMT #1 | |
Source | AUD |
Format | Hi8 |
Equipment | Unknown |
Length | 90m |
Complete? | No |
Notes | Rock On and BWBW/Once in a Lifetime are cut |
Setlist
Set:
- Rock On [Essex]
- The Everlasting Gaze
- I of the Mourning
- Wound
- Blue Skies Bring Tears
- I Am One (with rant)
- Blew Away
- Stand Inside Your Love
- To Sheila
- Muzzle
- Disarm
- Ava Adore
- Today
- Tonight, Tonight
- Glass and the Ghost Children
- Zero
- Heavy Metal Machine
Encore:
- Cherub Rock
- Bullet with Butterfly Wings
- Once in a Lifetime [Talking Heads] [4:26]
Notes
- To Sheila, Muzzle, Disarm, and Ava Adore performed acoustic
Banter
Rock On
The Everlasting Gaze
I of the Mourning
BC: Thank you very much.
Wound
Blue Skies Bring Tears
I Am One
(BC in normal rant spot: Good evening, ladies and gentlemen. Good evening, good evening, good evening. Welcome to the last gasps of a revolution. Yes, heh heh heh. No, it’s not dead, it’s still alive. The beast will always live in your heart, right? We are the machines....)
BC: Thank you very much, thank you. ... I’d like to introduce to you a member of the band who, I think if it wasn’t for him there would be no more whales left in the world. He’s led the charge on enviro-concern. He takes this very seriously. Mr. James Iha.
Blew Away
Stand Inside Your Love
Le Deux Machina (tape)
To Sheila (Billy acoustic w/Iha)
BC: So, um, coming up pretty soon, we’re gonna do one of those VH1 Storyteller thingies. So um, as a way of practicing, I’ll tell you what this next song is about. This next song was written for the Mellon Collie and the Infinite Goading [unintelligible]. This isn’t very good for TV, you can’t cheer, see. You have to let me do my spiel, then you cheer. We’re on TV, it’s pretending. Anyway. So um, I used to sit up in my living room and play the piano and stare out the window and um, during the height of the Mellon Collie madness, I had three stalkers, all of them male, which I’m not very proud of. And uh, you know you sit in your house and you play the piano and you stare across the street and you see these young men stalking you and you think “What have I actually said to make them want to stalk me?” - you know?
Girl in crowd: They wanted your dick!
BC: I would like to think they wanted more than that. But you could be right. So I wrote this next song and I was sort of searching for a title and I thought to myself that I was probably saying too much and that’s what was sort of attracting these lunatics - or fine young men, depending on how you look at it - to me and so that’s how I came up with the title because I thought I really should shut the fuck up and not say these things. So, I don’t really know where that story went but for those young men out in the audience, when you hear this song, if you’re attracted to this song, I’m sure there’s other alternative rock icons who want your attention.
Muzzle (Billy solo acoustic)
Disarm (acoustic)
BC: I’d like to take a moment to introduce the band to you tonight. As opposed to any other night. On the lead guitar, Smirky Legs Hoolihan. On the thundering disco bass, Lucy Original Sinner! On the lead maracas... (Jimmy snare hit) (laughing)...Fred from Lithuania!
Iha: And, ladies and gentlemen, from CNN, Wolf Blitzer on lead vocals.
Ava Adore (acoustic)
Today
Tonight, Tonight
> Glass and the Ghost Children
BC: Uhhh. Are you catching this signal or...? Heh heh heh. Change of plan. Disco time.
Zero
Heavy Metal Machine
BC: Thank you very much.
Iha: [unintelligible]
BC: That’s the end of the concert, we’re just going to stand here.
Cherub Rock
BC: Thank you.
[encore break]
Iha: Thank you, thank you, thank you.
Bullet with Butterfly Wings
> Once in a Lifetime
BC: Thank you, thank you, thank you. Thank you for a great concert. Thank you for a wonderful evening. Thank you. We don’t know when we’re gonna be back this way again so thank you for coming tonight. Thank you.
Iha: Thanks.
BC: Goodnight everybody.
Iha: Goodnight everybody, thanks, thanks a lot.