Zwan2003-04-07B: Difference between revisions
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|- | |- | ||
! align="left" | Venue Type | ! align="left" | Venue Type | ||
| | | Club | ||
|- | |||
! align="left" | Capacity | |||
| 2500 | |||
|- | |||
! align="left" | Lineup | |||
| Corgan, Chamberlin, Sweeney, Pajo, Lenchantin | |||
|- | |||
! align="left" | Order of Bands | |||
| The Children's Hour, Zwan | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
| Line 25: | Line 34: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| AKG 483> | | AKG 483 > Oade M248 > SBM-1 > DA-P1 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| Line 34: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DAT | | DAT-M>SHN | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/zwan2003-04-07.shnf 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | Lower balcony, spread. Superior to other sources. | ||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | - | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MD | |||
|- | |||
! align="left" | Equipment | |||
| DAB > DA-120F > MD-SR60 | |||
|- | |||
! align="left" | Length | |||
| ~120m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! align="left" | Notes | |||
| Mid-left balcony, mics hung over rail. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MD | |||
|- | |||
! align="left" | Equipment | |||
| Realistic tie-clip mic > MZ-R500 | |||
|- | |||
! align="left" | Length | |||
| ~120m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! align="left" | Notes | |||
| Center balcony. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MD | |||
|- | |||
! align="left" | Equipment | |||
| AT-853C > SPBox > MZ-R37 | |||
|- | |||
! align="left" | Length | |||
| ~30m | |||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! align="left" | Notes | |||
| Mic stand, inside soundboard cage. Encores only. | |||
|- | |- | ||
|} | |} | ||
| Line 49: | Line 119: | ||
* Jesus, I [Lyte] | * Jesus, I [Lyte] | ||
** God's Gonna Set This World on Fire | ** God's Gonna Set This World on Fire | ||
* Don't Let Me Down [Beatles] | * Don't Let Me Down [The Beatles] | ||
* Honestly | * Honestly | ||
* Declarations of Faith | * Declarations of Faith | ||
| Line 57: | Line 127: | ||
* Mary Star of the Sea | * Mary Star of the Sea | ||
* Heartsong | * Heartsong | ||
* Of | * Of a Broken Heart | ||
* Ride a Black Swan | * Ride a Black Swan | ||
* Settle Down | * Settle Down | ||
| Line 70: | Line 140: | ||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | '''Jesus, I'''<br> | ||
> '''God’s Gonna Set This World on Fire'''<br> | |||
'''Don’t Let Me Down'''<br> | |||
'''Honestly'''<br> | |||
> '''Declarations of Faith'''<br> | |||
BC: Thank you very much, thank you. ... Thank you very much, thank you.<br> | |||
'''Desire'''<br> | |||
> '''Yeah!'''<br> | |||
'''Endless Summer'''<br> | |||
'''Mary Star of the Sea'''<br> | |||
BC: Thank you very much, thank you. It’s a pleasure and an honor to play for you tonight, I’d like to introduce the band to you. On the guitar, Mr. David Pajo. That’s Dave’s den over there. Like in sports, you know, you have your own den, there’s Dave’s den up there. Wave to your den! Sorry, I’m just making myself laugh. On the other guitar, Mr. Matt Sweeney. On the bass and the violin, Paz. And on the drums, Mr. Jimmy Chamberlin.<br> | |||
'''Heartsong'''<br> | |||
'''Of a Broken Heart'''<br> | |||
'''Ride a Black Swan'''<br> | |||
> '''Settle Down'''<br> | |||
(BC over ending: Thank you very much, thank you!<br> | |||
Sweeney: Thank you very much, thank you!<br> | |||
BC: No, thank you, thank you!<br> | |||
Paz: Thank you!)<br> | |||
[encore break]<br> | |||
'''A New Poetry'''<br> | |||
[encore break]<br> | |||
'''short jam'''<br> | |||
> '''Lyric'''<br> | |||
BC: Thank you very much, thank you. And thank you. Thank you for such a warm response, a nice reception. Aren’t we playing some festival down here or something? Yeah, I think we’re coming back in the summer to play some festival. Do you know this festival? Yes, good, yeah. Good festival, bad festival? They don’t know.<br> | |||
Sweeney: Hiiiiii.<br> | |||
BC: You know when you wanna say something but you don’t know what to say? That’s like your whole life.<br> | |||
Sweeney: Always happens to [unintelligible].<br> | |||
BC: What?<br> | |||
Sweeney: ''(stutters, then laughs)''<br> | |||
BC: So we hope you had a good time. We had a very nice time, it was very nice.<br> | |||
Sweeney: You know what’s awesome?<br> | |||
BC: No.<br> | |||
Sweeney: This guy named Tom Rathbone is here tonight, he’s the guy who turned me on to the Stones and he’s here.<br> | |||
BC: I don’t care.<br> | |||
Sweeney: Come on!<br> | |||
BC: I really don’t care. The guy who - wait. The guy who turned you on to the Stones? You don’t need a guy to turn you on to the Stones.<br> | |||
Sweeney: But he did, I was always a little iffy on them.<br> | |||
BC: That’s like saying you need a guy to turn you on to the sun. “Look, the sun.”<br> | |||
Sweeney: This was the guy who would do Mick Jagger.<br> | |||
BC: Oh, you mean, he’s the guy who said “There’s more, besides Start Me Up.”<br> | |||
Sweeney: Yeah, exactly. Now are you excited?<br> | |||
BC: No!<br> | |||
Sweeney: Come on!<br> | |||
BC: Anyway.<br> | |||
'''Spilled Milk'''<br> | |||
(BC near end: God bless you, thank you very much. We are Zwaaaaaaaan.)<br> | |||
</blockquote> | </blockquote> | ||
Latest revision as of 07:51, 27 September 2020
| Zwan | |
|---|---|
| Date | 2003-04-07 |
| Venue | Tabernacle |
| Location | Atlanta, GA, US |
| Venue Type | Club |
| Capacity | 2500 |
| Lineup | Corgan, Chamberlin, Sweeney, Pajo, Lenchantin |
| Order of Bands | The Children's Hour, Zwan |
| Surfaced Recordings | |
| AUD #1 | |
| Source | AUD |
| Format | DAT |
| Equipment | AKG 483 > Oade M248 > SBM-1 > DA-P1 |
| Length | 101m |
| Complete? | Yes |
| Lowest Circulating Generation | DAT-M>SHN |
| Live Music Archive | 16-bit download |
| Notes | Lower balcony, spread. Superior to other sources. |
| Unsurfaced Recordings | |
| AUD #2 | |
| Source | AUD |
| Format | MD |
| Equipment | DAB > DA-120F > MD-SR60 |
| Length | ~120m |
| Complete? | Unknown |
| Notes | Mid-left balcony, mics hung over rail. |
| AUD #3 | |
| Source | AUD |
| Format | MD |
| Equipment | Realistic tie-clip mic > MZ-R500 |
| Length | ~120m |
| Complete? | Unknown |
| Notes | Center balcony. |
| AUD #4 | |
| Source | AUD |
| Format | MD |
| Equipment | AT-853C > SPBox > MZ-R37 |
| Length | ~30m |
| Complete? | No |
| Notes | Mic stand, inside soundboard cage. Encores only. |
Setlist
Set:
- Jesus, I [Lyte]
- God's Gonna Set This World on Fire
- Don't Let Me Down [The Beatles]
- Honestly
- Declarations of Faith
- Desire
- Yeah
- Endless Summer
- Mary Star of the Sea
- Heartsong
- Of a Broken Heart
- Ride a Black Swan
- Settle Down
Encore One:
- A New Poetry
Encore Two:
- Lyric
- Spilled Milk
Banter
Jesus, I
> God’s Gonna Set This World on Fire
Don’t Let Me Down
Honestly
> Declarations of Faith
BC: Thank you very much, thank you. ... Thank you very much, thank you.
Desire
> Yeah!
Endless Summer
Mary Star of the Sea
BC: Thank you very much, thank you. It’s a pleasure and an honor to play for you tonight, I’d like to introduce the band to you. On the guitar, Mr. David Pajo. That’s Dave’s den over there. Like in sports, you know, you have your own den, there’s Dave’s den up there. Wave to your den! Sorry, I’m just making myself laugh. On the other guitar, Mr. Matt Sweeney. On the bass and the violin, Paz. And on the drums, Mr. Jimmy Chamberlin.
Heartsong
Of a Broken Heart
Ride a Black Swan
> Settle Down
(BC over ending: Thank you very much, thank you!
Sweeney: Thank you very much, thank you!
BC: No, thank you, thank you!
Paz: Thank you!)
[encore break]
A New Poetry
[encore break]
short jam
> Lyric
BC: Thank you very much, thank you. And thank you. Thank you for such a warm response, a nice reception. Aren’t we playing some festival down here or something? Yeah, I think we’re coming back in the summer to play some festival. Do you know this festival? Yes, good, yeah. Good festival, bad festival? They don’t know.
Sweeney: Hiiiiii.
BC: You know when you wanna say something but you don’t know what to say? That’s like your whole life.
Sweeney: Always happens to [unintelligible].
BC: What?
Sweeney: (stutters, then laughs)
BC: So we hope you had a good time. We had a very nice time, it was very nice.
Sweeney: You know what’s awesome?
BC: No.
Sweeney: This guy named Tom Rathbone is here tonight, he’s the guy who turned me on to the Stones and he’s here.
BC: I don’t care.
Sweeney: Come on!
BC: I really don’t care. The guy who - wait. The guy who turned you on to the Stones? You don’t need a guy to turn you on to the Stones.
Sweeney: But he did, I was always a little iffy on them.
BC: That’s like saying you need a guy to turn you on to the sun. “Look, the sun.”
Sweeney: This was the guy who would do Mick Jagger.
BC: Oh, you mean, he’s the guy who said “There’s more, besides Start Me Up.”
Sweeney: Yeah, exactly. Now are you excited?
BC: No!
Sweeney: Come on!
BC: Anyway.
Spilled Milk
(BC near end: God bless you, thank you very much. We are Zwaaaaaaaan.)