Bc2005-07-08: Difference between revisions
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! align="left" | Venue Type | ! align="left" | Venue Type | ||
| Club | | Club | ||
|- | |||
! align="left" | Capacity | |||
| 600 | |||
|- | |||
! align="left" | Lineup | |||
| Corgan, Walker, Strawberry, Lisegang | |||
|- | |||
! align="left" | Order of Bands | |||
| Doris Henson, The Crimea, Billy Corgan | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| Stereo Binaural Mics>D8 | | Stereo Binaural Mics>TCD-D8 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DAT | | DAT-M>FLAC | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/bc2005-07-08.flac16 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| Stereo Binaural | | Stereo Binaural Mics>Preamp>Solid State Recorder(16/44.1) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 57: | Line 69: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| | | WAV-M>FLAC | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/bc2005-07-08.binaural.flac16 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Center, 50 feet back. | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ||
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|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| AVI | | AVI-M | ||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| | | Clip of Now (And Then) | ||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
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|} | |} | ||
== Setlist == | == Setlist == | ||
Set: | Set: | ||
* Bit 4 | * Bit 4 | ||
Line 98: | Line 115: | ||
* Bit 7 | * Bit 7 | ||
* TheCameraEye | * TheCameraEye | ||
* To Love Somebody [Bee Gees] | * To Love Somebody [The Bee Gees] | ||
* Johanna [ | * Johanna [Pop/Williamson] | ||
* DIA | * DIA | ||
* Pretty, pretty STAR | * Pretty, pretty STAR | ||
* I Want You | * I Want You [The Troggs] | ||
** Pride (In the Name of Love) [U2] | ** Pride (In the Name of Love) [U2] (tease) | ||
* Walking Shade | * Walking Shade | ||
* | * Sitting on Top of the World [Vinson/Chatmon] | ||
* All Things Change | * All Things Change | ||
Encore: | Encore: | ||
* I'm | * I'm a King Bee [Moore] | ||
** Turning Japanese [The Vapors] (tease) | |||
** Today (tease) | ** Today (tease) | ||
* It's | ** Star Spangled Banner [Key] (tease) | ||
* It's a Long Way to the Top (If You Wanna Rock 'n Roll) [AC/DC] | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | Bit 4 Intro<br> | ||
'''Bit 5'''<br> | |||
'''A100'''<br> | |||
'''M.O.H.'''<br> | |||
'''I’m Ready'''<br> | |||
'''Now and Then'''<br> | |||
> '''Bit 7'''<br> | |||
> '''The Camera Eye'''<br> | |||
'''To Love Somebody'''<br> | |||
'''Johanna'''<br> | |||
BC: Thank you. Thank you, Dallas, [2 unintelligible words]. ''(Southern accent)'' How y’all doin’ tonight? ''(normal voice)'' Thank you very much for coming, we appreciate it very much. ‘Course the front rows here have been in the sun all day, they don’t even...they don’t even know what they’re doing. Heh heh heh. They think they’re seeing Zwan. Hahahahahaha. Oh, I make myself laugh. Thank you. Bless you. But it’s good to see your faces, thank you, it’s always great to play in this city. I don’t know if you noticed but I’m not playing in Houston. Heh heh heh. Hahahaha! Heh heh. Oh, I love Houston. ‘Course if there wasn’t any oil there, there wouldn’t be a city there, but I still love ‘em. Heh heh heh. Anyway, thank you very much.<br> | |||
'''DIA'''<br> | |||
'''Pretty, Pretty Star'''<br> | |||
'''I Want You / Pride'''<br> | |||
'''Walking Shade'''<br> | |||
BC: Thank you, thank you, thank you, thank you.<br> | |||
'''Sittin’ on Top of the World'''<br> | |||
'''All Things Change'''<br> | |||
BC: God bless you, you guys rock. Thank you very much for listening.<br> | |||
[encore break]<br> | |||
BC: Thank you. Now uh...everywhere I go, everybody’s got questions for me and uh....<br> | |||
Girl in crowd: I love you, Billy!<br> | |||
BC: Can I just tell my joke please?<br> | |||
Girl in crowd: Sorry!<br> | |||
BC: Heh heh heh. Ah, fuck it, I’ll just play. I realize there’s a lot of tall blondes in the audience and I gotta go slow. Heh heh. First time we came to Dallas, I think it was 1991 or ‘92...the collective “we”, me and Jimmy Chamberlin were sitting out in front of the trees over there. And it was like, I was writing a postcard and I turned to Jimmy and I said, “My god, there are so many tall women, it’s insane.” Grow ‘em on trees down here, I think. I’m just stalling for time, I don’t have anything to play or say. Heh heh. “We love you anyway, even when you suck.” Heh heh. No, what I was gonna say is like...you know...<br> | |||
Guy in crowd: That’s what love is!<br> | |||
BC: Heh, heh heh, thank you, heh heh. I’ve wandered the whole fuckin’ earth to find a definition for love and now you’ve told me. Now I’m at peace. Now I’m at peace, I no longer need this rock and roll career, I can go straight to heaven from here, be at peace. ''(lots of crowd yelling)'' Hey, alright, we’ll just play music. No, what I was gonna say is I’m in Dallas tonight, I wanted to go - know where the fuck we’re gonna go hang out. That’s what I was gonna say but then you pissed me off and I decided just to go home.<br> | |||
'''I’m a King Bee / Turning Japanese / Today / Star Spangled Banner'''<br> | |||
> '''It’s a Long Way to the Top'''<br> | |||
BC: Thank you, thank you.<br> | |||
</blockquote> | </blockquote> | ||
== Pictures & Memorabilia == | == Pictures & Memorabilia == | ||
[[Image:Billycorgan7805slatered150goldinks.gif|224px|left]] | [[Image:Billycorgan7805slatered150goldinks.gif|224px|left]] | ||
[[Image: | [[Image:Bc2005-07-08-setlist.JPG|224px|left]] | ||
[[Image:050708-02.jpg|224px|left]] | [[Image:050708-02.jpg|224px|left]] | ||
[[Image:050708-03.jpg|224px|left]] | [[Image:050708-03.jpg|224px|left]] | ||
[[Image:050708-04.jpg|224px|left]] | [[Image:050708-04.jpg|224px|left]] | ||
[[Image:05XXXX-Poster.jpg|125px|left]] | |||
[[Image:bc2005-07-08.jpg|250px|left]] |
Latest revision as of 05:57, 30 September 2024
Billy Corgan | |
---|---|
Date | 2005-07-08 |
Venue | Gypsy Tea Room |
Location | Dallas, TX, US |
Venue Type | Club |
Capacity | 600 |
Lineup | Corgan, Walker, Strawberry, Lisegang |
Order of Bands | Doris Henson, The Crimea, Billy Corgan |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | Stereo Binaural Mics>TCD-D8 |
Length | 91m |
Complete? | Yes |
Lowest Circulating Generation | DAT-M>FLAC |
Live Music Archive | 16-bit download |
Notes | Some (very) small dropouts. |
AUD #2 | |
Source | AUD |
Format | WAV |
Equipment | Stereo Binaural Mics>Preamp>Solid State Recorder(16/44.1) |
Length | 86m |
Complete? | Yes |
Lowest Circulating Generation | WAV-M>FLAC |
Live Music Archive | 16-bit download |
Notes | Center, 50 feet back. |
AMT #1 | |
Source | AUD |
Format | AVI |
Equipment | Digital Camera |
Length | 30s |
Complete? | No |
Lowest Circulating Generation | AVI-M |
Notes | Clip of Now (And Then) |
Unsurfaced Recordings | |
- |
Setlist
Set:
- Bit 4
- Bit 5
- A100
- Mina Loy (M.O.H.)
- I'm Ready
- Now (And Then)
- Bit 7
- TheCameraEye
- To Love Somebody [The Bee Gees]
- Johanna [Pop/Williamson]
- DIA
- Pretty, pretty STAR
- I Want You [The Troggs]
- Pride (In the Name of Love) [U2] (tease)
- Walking Shade
- Sitting on Top of the World [Vinson/Chatmon]
- All Things Change
Encore:
- I'm a King Bee [Moore]
- Turning Japanese [The Vapors] (tease)
- Today (tease)
- Star Spangled Banner [Key] (tease)
- It's a Long Way to the Top (If You Wanna Rock 'n Roll) [AC/DC]
Banter
Bit 4 Intro
Bit 5
A100
M.O.H.
I’m Ready
Now and Then
> Bit 7
> The Camera Eye
To Love Somebody
Johanna
BC: Thank you. Thank you, Dallas, [2 unintelligible words]. (Southern accent) How y’all doin’ tonight? (normal voice) Thank you very much for coming, we appreciate it very much. ‘Course the front rows here have been in the sun all day, they don’t even...they don’t even know what they’re doing. Heh heh heh. They think they’re seeing Zwan. Hahahahahaha. Oh, I make myself laugh. Thank you. Bless you. But it’s good to see your faces, thank you, it’s always great to play in this city. I don’t know if you noticed but I’m not playing in Houston. Heh heh heh. Hahahaha! Heh heh. Oh, I love Houston. ‘Course if there wasn’t any oil there, there wouldn’t be a city there, but I still love ‘em. Heh heh heh. Anyway, thank you very much.
DIA
Pretty, Pretty Star
I Want You / Pride
Walking Shade
BC: Thank you, thank you, thank you, thank you.
Sittin’ on Top of the World
All Things Change
BC: God bless you, you guys rock. Thank you very much for listening.
[encore break]
BC: Thank you. Now uh...everywhere I go, everybody’s got questions for me and uh....
Girl in crowd: I love you, Billy!
BC: Can I just tell my joke please?
Girl in crowd: Sorry!
BC: Heh heh heh. Ah, fuck it, I’ll just play. I realize there’s a lot of tall blondes in the audience and I gotta go slow. Heh heh. First time we came to Dallas, I think it was 1991 or ‘92...the collective “we”, me and Jimmy Chamberlin were sitting out in front of the trees over there. And it was like, I was writing a postcard and I turned to Jimmy and I said, “My god, there are so many tall women, it’s insane.” Grow ‘em on trees down here, I think. I’m just stalling for time, I don’t have anything to play or say. Heh heh. “We love you anyway, even when you suck.” Heh heh. No, what I was gonna say is like...you know...
Guy in crowd: That’s what love is!
BC: Heh, heh heh, thank you, heh heh. I’ve wandered the whole fuckin’ earth to find a definition for love and now you’ve told me. Now I’m at peace. Now I’m at peace, I no longer need this rock and roll career, I can go straight to heaven from here, be at peace. (lots of crowd yelling) Hey, alright, we’ll just play music. No, what I was gonna say is I’m in Dallas tonight, I wanted to go - know where the fuck we’re gonna go hang out. That’s what I was gonna say but then you pissed me off and I decided just to go home.
I’m a King Bee / Turning Japanese / Today / Star Spangled Banner
> It’s a Long Way to the Top
BC: Thank you, thank you.