Tsp1996-01-05: Difference between revisions
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|- | |- | ||
! align="left" | Venue | ! align="left" | Venue | ||
| | | 9:30 Club | ||
|- | |- | ||
! align="left" | Location | ! align="left" | Location | ||
Line 16: | Line 16: | ||
! align="left" | Capacity | ! align="left" | Capacity | ||
| 1000 | | 1000 | ||
|- | |||
! align="left" | Lineup | |||
| Corgan, Iha, Wretzky, Chamberlin, Melvoin | |||
|- | |||
! align="left" | Order of Bands | |||
| The Smashing Pumpkins | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | SBD #1a | |||
|- | |||
! align="left" | Source | |||
| SBD | |||
|- | |||
! align="left" | Format | |||
| ADAT | |||
|- | |||
! align="left" | Equipment | |||
| unknown | |||
|- | |||
! align="left" | Length | |||
| 4m | |||
|- | |||
! align="left" | Complete? | |||
| No | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| "The Aeroplane Flies High" official release (reissue only) | |||
|- | |||
! align="left" | Notes | |||
| Lily only. | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #1 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #1 | ||
Line 28: | Line 57: | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | SS-DSM-6PS>WM-D6 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
Line 37: | Line 66: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| ANA | | ANA-M > DAT-M > CDR | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp1996-01-05.tsp1996-01-05 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Tape flip cuts some banter following 1979. | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | - | ! bgcolor="#fff9de" colspan="2" align="left" | SBD #1 | ||
|- | |||
! align="left" | Source | |||
| SBD | |||
|- | |||
! align="left" | Format | |||
| ADAT | |||
|- | |||
! align="left" | Equipment | |||
| Unknown | |||
|- | |||
! align="left" | Length | |||
| ~140m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Notes | |||
| Vault copy. | |||
|- | |- | ||
|} | |} | ||
Line 52: | Line 105: | ||
* Thirty-three | * Thirty-three | ||
* Today | * Today | ||
* Lily | * Lily (My One and Only) | ||
* Take Me Down | * Take Me Down | ||
* Beautiful | * Beautiful | ||
Line 58: | Line 111: | ||
* Galapogos | * Galapogos | ||
Set Two: | Set Two: | ||
* Mellon Collie | * Mellon Collie and the Infinite Sadness (over PA) | ||
* Where Boys Fear to Tread | * Where Boys Fear to Tread | ||
* Zero | * Zero | ||
Line 65: | Line 118: | ||
* Jellybelly | * Jellybelly | ||
* Porcelina of the Vast Oceans | * Porcelina of the Vast Oceans | ||
* Creep [Stone Temple Pilots] (tease) | |||
* Bullet with Butterfly Wings | * Bullet with Butterfly Wings | ||
* Thru the Eyes of Ruby | * Thru the Eyes of Ruby | ||
Line 75: | Line 129: | ||
Encore Two: | Encore Two: | ||
* By Starlight | * By Starlight | ||
* Silverfuck | * Silverfuck [9:11] | ||
* Siva | * Siva [5:06] | ||
* Dust in the Wind [Kansas] (tease) | |||
* Farewell and Goodnight | * Farewell and Goodnight | ||
=== Notes === | |||
* Tonight, Tonight through Take Me Down performed acoustic | |||
* Siva is played by request | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
(unknown) | D’arcy: Good evening.<br> | ||
'''Tonight, Tonight''' (acoustic)<br> | |||
BC: Thank you.<br> | |||
'''In the Arms of Sleep''' (acoustic)<br> | |||
BC: Bass, bass, bass.<br> | |||
Iha: Hello.<br> | |||
BC: Hi.<br> | |||
Iha: More - more acoustic in the monitors.<br> | |||
BC: What are you all doing in our bedroom? Heh heh.<br> | |||
Iha: Yeaaah.<br> | |||
'''Cupid de Locke''' (acoustic)<br> | |||
BC: Thank you so much.<br> | |||
'''Thirty-three''' (acoustic)<br> | |||
BC: ''(high pitched)'' It's a party [unintelligible word]!<br> | |||
'''Today''' (acoustic)<br> | |||
BC: Ah, it's an oldie but a goldie.<br> | |||
'''Lily''' (acoustic)<br> | |||
'''Take Me Down''' (acoustic)<br> | |||
(BC over intro: Now we’re gonna take a little trip down Sad Lane. Just sit back.<br> | |||
D’arcy: That’s - that’s where James lives.<br> | |||
BC: Hahahaha.<br> | |||
D’arcy: No, it’s true.<br> | |||
BC: 144 Sad Lane.)<br> | |||
'''Beautiful'''<br> | |||
(Iha immediately after Billy starts song: [unintelligible but possibly “Now take your place in the audience.”])<br> | |||
BC: ''(high pitched)'' Thank you. ''(exaggerated Italian accent)'' Could you get a-rid of these acoustic guitars too, please? Please get rid of these acoustic guitars. ''(normal)'' So uh, thanks for your patience, you know, we’re having a fun time playing these songs. 'Cause we never get to play 'em, if you know what I'm sayin’. Not to the rock masses, that's for certain.<br> | |||
'''Rocket'''<br> | |||
'''Galapogos'''<br> | |||
BC: Thanks.<br> | |||
D’arcy: Thank you.<br> | |||
[set break]<br> | |||
Mellon Collie and the Infinite Sadness Intro<br> | |||
> '''Where Boys Fear to Tread'''<br> | |||
> '''Zero'''<br> | |||
'''Fuck You'''<br> | |||
'''To Forgive'''<br> | |||
Iha: Ah, yeah.<br> | |||
BC: Hi, we're the Smashing Pumpkins. Thank you for having us. We'd like to comment, this is a pretty cool place as opposed to the place it used to be.<br> | |||
Iha: Heh heh.<br> | |||
BC: I don't know...<br> | |||
Iha: Well....<br> | |||
BC: ...where do you go beyond sincerity, you don't really....<br> | |||
Iha: What else can we talk about but the nation's capital? America! Heh heh.<br> | |||
BC: Is tonight the night you're gonna announce?<br> | |||
Iha: I admit, in a past life I was running down the old 9:30 street and I had - I had shot Abraham Linc - Lincolns.<br> | |||
BC: Heh, Lipkin?<br> | |||
Iha: Lincoln.<br> | |||
BC: You shot Abraham Lipkin?<br> | |||
Iha: Lincoln and now I have a speech impediment because of it.<br> | |||
'''Jellybelly'''<br> | |||
BC: Thank you. ''That'' was Jellybelly.<br> | |||
'''Porcelina of the Vast Oceans'''<br> | |||
BC: ''(weird voice)'' Thank you. ''(normal)'' Heh, ''(fast)'' Mister James Iha!<br> | |||
'''Creep''' (tease)<br> | |||
BC: ''(singing)'' We’re half the band we used to be, half the band we used to be.<br> | |||
Iha: ''(singing)'' But I still play mean guitar. ''(doodles a blues riff for a second)''<br> | |||
BC: No, it’s like, ''(singing)'' half the band we used to - but I still play a mean guitar. ''(Iha doodles for a second)'' ''(speaking)'' There you go.<br> | |||
'''Bullet with Butterfly Wings'''<br> | |||
'''Thru the Eyes of Ruby'''<br> | |||
'''1979'''<br> | |||
BC: [tape cuts in, unknown if banter is missing] You've been great. We really appreciate your patience with all our sad songs. Well, hmmm. What do you think?<br> | |||
'''Geek U.S.A.'''<br> | |||
'''X.Y.U.'''<br> | |||
[encore break]<br> | |||
D’arcy: Thank you.<br> | |||
BC: ''(Satanic voice)'' Unh. Ah, thank you. From the depths of hell, we thank you. ''(normal)'' Shake those mortal bones.<br> | |||
'''We Only Come Out at Night'''<br> | |||
(BC after lyrics finish: Yeah, you guys could learn that ending. Thank you very much!)<br> | |||
Iha: And now we will rock you yet again.<br> | |||
'''Cherub Rock'''<br> | |||
BC: Thank you, good fuckin’ night. No, wait...thank you, good fucking night!<br> | |||
Iha: ''(faux upset)'' I'll see you people later! ''(knocks mic stand over)''<br> | |||
[encore break]<br> | |||
Iha: Thank you very much, you've been rocking.<br> | |||
BC: Thank you - thank you so much, you people totally rock. ''(Jimmy starts By Starlight drumbeat)'' You make us feel young again.<br> | |||
Iha: Wow.<br> | |||
'''By Starlight'''<br> | |||
> '''Silverfuck'''<br> | |||
BC: Thanks.<br> | |||
D’arcy: Goodnight.<br> | |||
BC: Wait wait wait wait wait wait. Wanna hear any more songs? We're - we’re not tired so if you wanna hear us play more, we’ll play more. ''(crowd cheers)'' What haven’t we played? Shiva? No, we don’t play I Am One anymore. What else you wanna hear? James, do we go back to the Gish album for an oldie? We gotta go there, Jimmy.<br> | |||
Iha: Yeah, yeah, yeah.<br> | |||
BC: We were kicking this out in fuckin’ ‘90. Oh so long ago.<br> | |||
'''Siva'''<br> | |||
BC: I'd like to do one more song, then we'll go away.<br> | |||
Iha: Shiva rah.<br> | |||
BC: Heh, your mic awaits you, Jim.<br> | |||
Iha: Jim, you gotta have power!<br> | |||
BC: ''(laughing that turns into coughing)''<br> | |||
Jimmy: Fuck you, man.<br> | |||
Iha: Love.<br> | |||
BC: A little more acoustic in the right side monitor, please.<br> | |||
Jimmy: Thank you.<br> | |||
BC: Heh heh, heh.<br> | |||
Iha: This is Black Mountain Side and uh...<br> | |||
BC: Dust in the Wind?<br> | |||
Iha: ...just started in India.<br> | |||
BC: Dust in the Wind.<br> | |||
'''Dust in the Wind''' (tease)<br> | |||
BC: ''(singing)'' All we are is dust in....<br> | |||
'''Farewell and Goodnight'''<br> | |||
''(below is all over piano outro)''<br> | |||
BC: Goodnight, you people rule.<br> | |||
Jimmy: Thank you.<br> | |||
BC: Thank you, thank you everybody.<br> | |||
D’arcy: Thank you, goodnight.<br> | |||
Iha: Goodnight.<br> | |||
BC: Thank you.<br> | |||
Iha: Thanks.<br> | |||
</blockquote> | </blockquote> | ||
== Photos & Memorabilia == | == Photos & Memorabilia == | ||
[[Image:96010X-Poster.jpg|125px|left]] | [[Image:96010X-Poster.jpg|125px|left]] |
Latest revision as of 12:12, 10 January 2021
The Smashing Pumpkins | |
---|---|
Date | 1996-01-05 |
Venue | 9:30 Club |
Location | Washington, DC, US |
Venue Type | Club |
Capacity | 1000 |
Lineup | Corgan, Iha, Wretzky, Chamberlin, Melvoin |
Order of Bands | The Smashing Pumpkins |
Surfaced Recordings | |
SBD #1a | |
Source | SBD |
Format | ADAT |
Equipment | unknown |
Length | 4m |
Complete? | No |
Lowest Circulating Generation | "The Aeroplane Flies High" official release (reissue only) |
Notes | Lily only. |
AUD #1 | |
Source | AUD |
Format | ANA |
Equipment | SS-DSM-6PS>WM-D6 |
Length | 141m |
Complete? | Yes |
Lowest Circulating Generation | ANA-M > DAT-M > CDR |
Live Music Archive | 16-bit download |
Notes | Tape flip cuts some banter following 1979. |
Unsurfaced Recordings | |
SBD #1 | |
Source | SBD |
Format | ADAT |
Equipment | Unknown |
Length | ~140m |
Complete? | Yes |
Notes | Vault copy. |
Setlist
Set One:
- Tonight, Tonight
- In the Arms of Sleep
- Cupid de Locke
- Thirty-three
- Today
- Lily (My One and Only)
- Take Me Down
- Beautiful
- Rocket
- Galapogos
Set Two:
- Mellon Collie and the Infinite Sadness (over PA)
- Where Boys Fear to Tread
- Zero
- Fuck You
- To Forgive
- Jellybelly
- Porcelina of the Vast Oceans
- Creep [Stone Temple Pilots] (tease)
- Bullet with Butterfly Wings
- Thru the Eyes of Ruby
- 1979
- Geek U.S.A.
- X.Y.U.
Encore One:
- We Only Come Out at Night
- Cherub Rock
Encore Two:
- By Starlight
- Silverfuck [9:11]
- Siva [5:06]
- Dust in the Wind [Kansas] (tease)
- Farewell and Goodnight
Notes
- Tonight, Tonight through Take Me Down performed acoustic
- Siva is played by request
Banter
D’arcy: Good evening.
Tonight, Tonight (acoustic)
BC: Thank you.
In the Arms of Sleep (acoustic)
BC: Bass, bass, bass.
Iha: Hello.
BC: Hi.
Iha: More - more acoustic in the monitors.
BC: What are you all doing in our bedroom? Heh heh.
Iha: Yeaaah.
Cupid de Locke (acoustic)
BC: Thank you so much.
Thirty-three (acoustic)
BC: (high pitched) It's a party [unintelligible word]!
Today (acoustic)
BC: Ah, it's an oldie but a goldie.
Lily (acoustic)
Take Me Down (acoustic)
(BC over intro: Now we’re gonna take a little trip down Sad Lane. Just sit back.
D’arcy: That’s - that’s where James lives.
BC: Hahahaha.
D’arcy: No, it’s true.
BC: 144 Sad Lane.)
Beautiful
(Iha immediately after Billy starts song: [unintelligible but possibly “Now take your place in the audience.”])
BC: (high pitched) Thank you. (exaggerated Italian accent) Could you get a-rid of these acoustic guitars too, please? Please get rid of these acoustic guitars. (normal) So uh, thanks for your patience, you know, we’re having a fun time playing these songs. 'Cause we never get to play 'em, if you know what I'm sayin’. Not to the rock masses, that's for certain.
Rocket
Galapogos
BC: Thanks.
D’arcy: Thank you.
[set break]
Mellon Collie and the Infinite Sadness Intro
> Where Boys Fear to Tread
> Zero
Fuck You
To Forgive
Iha: Ah, yeah.
BC: Hi, we're the Smashing Pumpkins. Thank you for having us. We'd like to comment, this is a pretty cool place as opposed to the place it used to be.
Iha: Heh heh.
BC: I don't know...
Iha: Well....
BC: ...where do you go beyond sincerity, you don't really....
Iha: What else can we talk about but the nation's capital? America! Heh heh.
BC: Is tonight the night you're gonna announce?
Iha: I admit, in a past life I was running down the old 9:30 street and I had - I had shot Abraham Linc - Lincolns.
BC: Heh, Lipkin?
Iha: Lincoln.
BC: You shot Abraham Lipkin?
Iha: Lincoln and now I have a speech impediment because of it.
Jellybelly
BC: Thank you. That was Jellybelly.
Porcelina of the Vast Oceans
BC: (weird voice) Thank you. (normal) Heh, (fast) Mister James Iha!
Creep (tease)
BC: (singing) We’re half the band we used to be, half the band we used to be.
Iha: (singing) But I still play mean guitar. (doodles a blues riff for a second)
BC: No, it’s like, (singing) half the band we used to - but I still play a mean guitar. (Iha doodles for a second) (speaking) There you go.
Bullet with Butterfly Wings
Thru the Eyes of Ruby
1979
BC: [tape cuts in, unknown if banter is missing] You've been great. We really appreciate your patience with all our sad songs. Well, hmmm. What do you think?
Geek U.S.A.
X.Y.U.
[encore break]
D’arcy: Thank you.
BC: (Satanic voice) Unh. Ah, thank you. From the depths of hell, we thank you. (normal) Shake those mortal bones.
We Only Come Out at Night
(BC after lyrics finish: Yeah, you guys could learn that ending. Thank you very much!)
Iha: And now we will rock you yet again.
Cherub Rock
BC: Thank you, good fuckin’ night. No, wait...thank you, good fucking night!
Iha: (faux upset) I'll see you people later! (knocks mic stand over)
[encore break]
Iha: Thank you very much, you've been rocking.
BC: Thank you - thank you so much, you people totally rock. (Jimmy starts By Starlight drumbeat) You make us feel young again.
Iha: Wow.
By Starlight
> Silverfuck
BC: Thanks.
D’arcy: Goodnight.
BC: Wait wait wait wait wait wait. Wanna hear any more songs? We're - we’re not tired so if you wanna hear us play more, we’ll play more. (crowd cheers) What haven’t we played? Shiva? No, we don’t play I Am One anymore. What else you wanna hear? James, do we go back to the Gish album for an oldie? We gotta go there, Jimmy.
Iha: Yeah, yeah, yeah.
BC: We were kicking this out in fuckin’ ‘90. Oh so long ago.
Siva
BC: I'd like to do one more song, then we'll go away.
Iha: Shiva rah.
BC: Heh, your mic awaits you, Jim.
Iha: Jim, you gotta have power!
BC: (laughing that turns into coughing)
Jimmy: Fuck you, man.
Iha: Love.
BC: A little more acoustic in the right side monitor, please.
Jimmy: Thank you.
BC: Heh heh, heh.
Iha: This is Black Mountain Side and uh...
BC: Dust in the Wind?
Iha: ...just started in India.
BC: Dust in the Wind.
Dust in the Wind (tease)
BC: (singing) All we are is dust in....
Farewell and Goodnight
(below is all over piano outro)
BC: Goodnight, you people rule.
Jimmy: Thank you.
BC: Thank you, thank you everybody.
D’arcy: Thank you, goodnight.
Iha: Goodnight.
BC: Thank you.
Iha: Thanks.