Tsp2000-03-02B: Difference between revisions
No edit summary |
mNo edit summary |
||
(30 intermediate revisions by 4 users not shown) | |||
Line 16: | Line 16: | ||
! align="left" | Capacity | ! align="left" | Capacity | ||
| 850 | | 850 | ||
|- | |||
! align="left" | Lineup | |||
| Corgan, Iha, Chamberlin, Auf der Maur | |||
|- | |||
! align="left" | Order of Bands | |||
| The Smashing Pumpkins | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
Line 31: | Line 37: | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 143m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
Line 37: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DAT | | DAT-M > CDR | ||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2000-03-02.ss.clean 16-bit download] | |||
|- | |- | ||
! | ! align="left" | Notes | ||
| 20 feet from right stack. DAT-M > CDR transfer has bad track transitions. Clean DDC-? > CDR transfer also circulates. | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ||
Line 47: | Line 57: | ||
|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | MD | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | CSB > MZ-R55 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 143m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | Yes | ||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| MD-M > FLAC | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2000-03-02.csb.flac16 16-bit download] | |||
|- | |||
! align="left" | Notes | |||
| Near soundboard. | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ||
Line 64: | Line 83: | ||
|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | DAT | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | CSBMod > M1 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 143m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | Yes | ||
|- | |||
! align="left" | Live Music Archive | |||
| [https://archive.org/details/tsp2000-03-02.aud3 16-bit download] | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| DAT(M) > FLAC | |||
|- | |||
! align="left" | Release | |||
| [[20220217-Release-2000-03-02AUD3]] | |||
|- | |||
! align="left" | Notes | |||
| Surfaced February 2022 | |||
|- | |- | ||
|} | |} | ||
== Setlist == | == Setlist == | ||
Soundcheck: | Soundcheck: | ||
* Glass and the Ghost Children | * Glass and the Ghost Children | ||
Line 89: | Line 119: | ||
* I of the Mourning | * I of the Mourning | ||
* Glass and the Ghost Children | * Glass and the Ghost Children | ||
* I Am One | * I Am One (with rant) | ||
** Today (tease) | ** Today (tease) | ||
* Wound | * Wound | ||
Line 100: | Line 130: | ||
** Shame | ** Shame | ||
** Drown | ** Drown | ||
** To Sheila (reprise) | |||
* Crush | * Crush | ||
* Join Together [The Who] | * Join Together [The Who] | ||
Line 105: | Line 136: | ||
* Zero | * Zero | ||
* Bullet with Butterfly Wings | * Bullet with Butterfly Wings | ||
** Once in a Lifetime [Talking Heads] | ** Once in a Lifetime [Talking Heads] [6:36] | ||
* This Time | * This Time | ||
* Tonight, Tonight | * Tonight, Tonight | ||
Line 111: | Line 142: | ||
Encore: | Encore: | ||
* Never Say Never [Romeo Void] (tease) | * Never Say Never [Romeo Void] (tease) | ||
* X.Y.U. | * X.Y.U. (with rant) | ||
** Never Say Never [Romeo Void] (tease) | |||
* We Love You (tease) | |||
* Today (tease) | * Today (tease) | ||
* Tristessa (tease) | * Tristessa (tease) | ||
* Rebel Rebel [Bowie] (tease) | * Rebel Rebel [Bowie] (tease) | ||
* We Love You | * We Love You | ||
=== Notes === | |||
* Speed Kills, To Sheila, Shame, Drown, Crush, and Join Together performed acoustic | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | '''Rock On'''<br> | ||
(BC during Iha solo: Teddy Kennedy on the lead guitar.)<br> | |||
BC: ''(screams)''<br> | |||
'''The Everlasting Gaze'''<br> | |||
'''Disarm'''<br> | |||
'''Blue Skies Bring Tears'''<br> | |||
BC: Thank you very much, thank you, thank you. Hello, how are you tonight? So I have to apologize, we’re going to play a really long time tonight. I know that you stood in line for a long time to buy a ticket to a really short show but uh, we’re going to force you to listen to us. We have a record coming out in a couple weeks, it’s called um, Siamese - I mean, uh, Machina. The machines of James. And uh, this is a new song off that album, it’s called I of the Mourning.<br> | |||
'''I of the Mourning'''<br> | |||
'''Glass and the Ghost Children'''<br> | |||
BC: Thank you very much, thank you.<br> | |||
'''I Am One'''<br> | |||
> '''Today''' (tease - lyrics during rant)<br> | |||
'''Wound'''<br> | |||
BC: Thanks a lot, we kinda fucked that one up so...we apologize. We fucked up, I’m sorr - it’s alright, I’m sorry. I’m sorry! No really, we’re sorry, I’m sorry. Stop. Stop crowdsurfing, we’re sorry. Hey wait, it’s the other way around. Stop crowdsurfing, you’re sorry. No no, just kidding.<br> | |||
'''The Imploding Voice'''<br> | |||
BC: It’s like, uh, Jimmy, it’s like suddenly we’ve turned into our own cover band. Sorry, we’ll bring out the real Pumpkins in a second.<br> | |||
'''Heavy Metal Machine'''<br> | |||
> '''Glass’ Theme'''<br> | |||
BC: Thanks, we’ll be back in about uh...20 or 30 minutes, thanks.<br> | |||
[set break]<br> | |||
'''Speed Kills''' (Billy solo acoustic)<br> | |||
'''To Sheila''' (Billy solo acoustic)<br> | |||
> '''Shame''' (Billy solo acoustic)<br> | |||
> '''Drown''' (Billy solo acoustic)<br> | |||
> '''To Sheila''' (reprise) (Billy solo acoustic)<br> | |||
'''Crush''' (acoustic)<br> | |||
> '''Join Together''' (acoustic)<br> | |||
(BC over very end: Thank you.)<br> | |||
'''Pale Scales'''<br> | |||
> '''Zero'''<br> | |||
> '''Bullet with Butterfly Wings'''<br> | |||
> '''Once in a Lifetime'''<br> | |||
BC: Spank you very much. Carlos Santana will be out in a minute so thanks for watching our opening set.<br> | |||
'''This Time'''<br> | |||
BC: Thank you all so very much, thank you. We’d like to take you uh, eh! - hold on. We’d like to heh heh heh. We’d like to thank you at this moment for sticking with us and letting us have band practice and all that stuff. So we appreciate it very much, thank you very much, you guys are awesome, thank you. Like to take a second to introduce the band. Behind me to my right, Mr. James Iha. And over here to my left, Miss Melissa Auf der Maur. Behind me on the drums, Mr. Jimmy Chamberlin.<br> | |||
'''Tonight, Tonight'''<br> | |||
> '''Cherub Rock'''<br> | |||
BC: Thanks a lot, thank you, god bless you, thank you.<br> | |||
[encore break]<br> | |||
Iha: How we feelin’? Are you feeling okay?<br> | |||
'''Never Say Never''' (tease - scattered lyrics over jam)<br> | |||
(BC: I might like you better if we slept together. I might like you better if you wore pleather. There’s something in your eyes that says maybe and that’s never...ever...never ever say never. I might like you better if you hadn’t fucked so many guys. I might like you better if you didn’t have wooden thighs. But I guess that’s okay because I fucked your mother about ten years ago. And just like you, she was a ho, a ho ho ho. Merry Christmas. There’s something in your eyes, yeah there’s something in your eyes. There’s something in your eyes and I got a feeling it’s a big surprise. Never ever ever say never.)<br> | |||
> '''X.Y.U.'''<br> | |||
> '''Never Say Never''' (tease - lyrics during X.Y.U. outro jam)<br> | |||
[encore break]<br> | |||
BC: Quite frankly, we’re out of riffs, we have no more riffs. We’re out of riffs. There are no more riffs. There’s no more riffs. Yes, you may [unintelligible].<br> | |||
Iha: Thank you.<br> | |||
BC: That’s it, that’s the end of the concert, goodnight, go home. Go away! That’s it, there’s no more. ... ''(high pitched)'' “Maybe if we scream James, James’ll come back out and play us a riff.” ''(normal)'' No. No. Heh heh heh heh heh. James is too tired, he doesn’t wanna come back out. ''(high pitched)'' “No really, if we chant his name, he’ll come back out and play a riff.” ''(normal)'' No, no. James is tired. He’s busy studying chemistry. ''(audience chants for Iha)''<br> | |||
'''We Love You''' (tease)<br> | |||
BC: Put those house lights on. House lights on. On, on, on! On, put the house lights on, put the house lights on. There you go. That’s it? Those are the house lights? Can we put the disco ball on? Is it possible to put the disco ball on? Heh, that’s it, huh? James, now this is really gonna put you - this is really gonna put you on the spot, this better be good.<br> | |||
'''Today''' (tease - Iha plays first 6 notes poorly)<br> | |||
BC: No. That was yesterday, this is tomorrow.<br> | |||
'''Tristessa''' (tease - Iha plays main riff)<br> | |||
BC: No, no one knows that one.<br> | |||
'''Rebel Rebel''' (tease - Iha plays riff)<br> | |||
'''We Love You'''<br> | |||
BC: Alright. Enough with all that gloom shit, now it’s time to have a party! Woo!! We are an internationally known party band. When you wanna smile and have a good time, you think of us. Because we get the funk out.<br> | |||
<br> | |||
we’re gonna get so high<br> | |||
we’re gonna reach to the sky<br> | |||
we’re gonna make you wonder why<br> | |||
why<br> | |||
why<br> | |||
when is this concert gonna end?<br> | |||
whyyyyyyyyyyyy<br> | |||
<br> | |||
everything’s gonna be okay<br> | |||
alright<br> | |||
okay<br> | |||
alright<br> | |||
<br> | |||
i’ll strap on this word to my crooked back<br> | |||
i’ll sharpen my vampire teeth until I can never come back<br> | |||
i am eyes begone<br> | |||
i am poetry removed<br> | |||
i am the summer wind<br> | |||
''(screamed)'' inside her<br> | |||
<br> | |||
we love you<br> | |||
we love you<br> | |||
we love you<br> | |||
that’s right, we love you<br> | |||
we love you<br> | |||
we love you<br> | |||
we love you<br> | |||
oh, we love you<br> | |||
<br> | |||
now it’s no crime<br> | |||
to play too long<br> | |||
to make albums that are too long<br> | |||
to make anything too long<br> | |||
life is like a tv channel, you know, you can just change it when it gets boring<br> | |||
<br> | |||
we’re gonna get so high<br> | |||
we’re gonna reach through the ground<br> | |||
we’re gonna hail satan<br> | |||
and make him come around<br> | |||
we’re gonna kick his ass<br> | |||
and ask him why there’s so many bad metal bands<br> | |||
yeah satan, why?<br> | |||
satan, why?<br> | |||
whyyyy?<br> | |||
if you’re the all powerful devil, why can’t you make better metal music?<br> | |||
because evil should be evil and metal should be metal, you know what I’m saying?<br> | |||
<br> | |||
we’re gonna get so high<br> | |||
we’re gonna reach to the sky<br> | |||
we’re gonna make you wonder why...you ever came<br> | |||
<br> | |||
BC: Oh yeah, tricked ya. I trick Jimmy all the time. Heh heh heh.<br> | |||
<br> | |||
We’re gonna get so high<br> | |||
we’re gonna reach to the sky<br> | |||
you’re gonna walk so far<br> | |||
you’re gonna wonder who you are<br> | |||
<br> | |||
we love you<br> | |||
we love you<br> | |||
we love you<br> | |||
we love you (about 18x very fast)<br> | |||
<br> | |||
whoa!<br> | |||
<br> | |||
we love you (13x)<br> | |||
we love us (4x)<br> | |||
do you love us? (7x)<br> | |||
''(screams)''<br> | |||
<br> | |||
''(song ends)''<br> | |||
<br> | |||
BC: God bless you all and uh, we’re gonna do a tour in April and May so we’ll be back that soon, thank you.<br> | |||
</blockquote> | </blockquote> | ||
== Photos And Memorabilia == | |||
[[Image:000302-Ticket.gif|125px|left]] | |||
[[Image:Tsp2000-03-02.jpg|250px|left]] |
Latest revision as of 06:29, 30 September 2024
The Smashing Pumpkins | |
---|---|
Date | 2000-03-02 |
Venue | Lupo's Heartbreak Hotel |
Location | Providence, RI, US |
Venue Type | Club |
Capacity | 850 |
Lineup | Corgan, Iha, Chamberlin, Auf der Maur |
Order of Bands | The Smashing Pumpkins |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | SS-DSM-6S > PA-6LC3 > M1 |
Length | 143m |
Complete? | Yes |
Lowest Circulating Generation | DAT-M > CDR |
Live Music Archive | 16-bit download |
Notes | 20 feet from right stack. DAT-M > CDR transfer has bad track transitions. Clean DDC-? > CDR transfer also circulates. |
AUD #2 | |
Source | AUD |
Format | MD |
Equipment | CSB > MZ-R55 |
Length | 143m |
Complete? | Yes |
Lowest Circulating Generation | MD-M > FLAC |
Live Music Archive | 16-bit download |
Notes | Near soundboard. |
AUD #3 | |
Source | AUD |
Format | DAT |
Equipment | CSBMod > M1 |
Length | 143m |
Complete? | Yes |
Live Music Archive | 16-bit download |
Lowest Circulating Generation | DAT(M) > FLAC |
Release | 20220217-Release-2000-03-02AUD3 |
Notes | Surfaced February 2022 |
Setlist
Soundcheck:
- Glass and the Ghost Children
- I Am One
- Once in a Lifetime [Talking Heads]
Set One:
- Rock On [Essex]
- The Everlasting Gaze
- Disarm
- Blue Skies Bring Tears
- I of the Mourning
- Glass and the Ghost Children
- I Am One (with rant)
- Today (tease)
- Wound
- The Imploding Voice
- Heavy Metal Machine
- Glass' Theme
Set Two:
- Speed Kills
- To Sheila
- Shame
- Drown
- To Sheila (reprise)
- Crush
- Join Together [The Who]
- Pale Scales
- Zero
- Bullet with Butterfly Wings
- Once in a Lifetime [Talking Heads] [6:36]
- This Time
- Tonight, Tonight
- Cherub Rock
Encore:
- Never Say Never [Romeo Void] (tease)
- X.Y.U. (with rant)
- Never Say Never [Romeo Void] (tease)
- We Love You (tease)
- Today (tease)
- Tristessa (tease)
- Rebel Rebel [Bowie] (tease)
- We Love You
Notes
- Speed Kills, To Sheila, Shame, Drown, Crush, and Join Together performed acoustic
Banter
Rock On
(BC during Iha solo: Teddy Kennedy on the lead guitar.)
BC: (screams)
The Everlasting Gaze
Disarm
Blue Skies Bring Tears
BC: Thank you very much, thank you, thank you. Hello, how are you tonight? So I have to apologize, we’re going to play a really long time tonight. I know that you stood in line for a long time to buy a ticket to a really short show but uh, we’re going to force you to listen to us. We have a record coming out in a couple weeks, it’s called um, Siamese - I mean, uh, Machina. The machines of James. And uh, this is a new song off that album, it’s called I of the Mourning.
I of the Mourning
Glass and the Ghost Children
BC: Thank you very much, thank you.
I Am One
> Today (tease - lyrics during rant)
Wound
BC: Thanks a lot, we kinda fucked that one up so...we apologize. We fucked up, I’m sorr - it’s alright, I’m sorry. I’m sorry! No really, we’re sorry, I’m sorry. Stop. Stop crowdsurfing, we’re sorry. Hey wait, it’s the other way around. Stop crowdsurfing, you’re sorry. No no, just kidding.
The Imploding Voice
BC: It’s like, uh, Jimmy, it’s like suddenly we’ve turned into our own cover band. Sorry, we’ll bring out the real Pumpkins in a second.
Heavy Metal Machine
> Glass’ Theme
BC: Thanks, we’ll be back in about uh...20 or 30 minutes, thanks.
[set break]
Speed Kills (Billy solo acoustic)
To Sheila (Billy solo acoustic)
> Shame (Billy solo acoustic)
> Drown (Billy solo acoustic)
> To Sheila (reprise) (Billy solo acoustic)
Crush (acoustic)
> Join Together (acoustic)
(BC over very end: Thank you.)
Pale Scales
> Zero
> Bullet with Butterfly Wings
> Once in a Lifetime
BC: Spank you very much. Carlos Santana will be out in a minute so thanks for watching our opening set.
This Time
BC: Thank you all so very much, thank you. We’d like to take you uh, eh! - hold on. We’d like to heh heh heh. We’d like to thank you at this moment for sticking with us and letting us have band practice and all that stuff. So we appreciate it very much, thank you very much, you guys are awesome, thank you. Like to take a second to introduce the band. Behind me to my right, Mr. James Iha. And over here to my left, Miss Melissa Auf der Maur. Behind me on the drums, Mr. Jimmy Chamberlin.
Tonight, Tonight
> Cherub Rock
BC: Thanks a lot, thank you, god bless you, thank you.
[encore break]
Iha: How we feelin’? Are you feeling okay?
Never Say Never (tease - scattered lyrics over jam)
(BC: I might like you better if we slept together. I might like you better if you wore pleather. There’s something in your eyes that says maybe and that’s never...ever...never ever say never. I might like you better if you hadn’t fucked so many guys. I might like you better if you didn’t have wooden thighs. But I guess that’s okay because I fucked your mother about ten years ago. And just like you, she was a ho, a ho ho ho. Merry Christmas. There’s something in your eyes, yeah there’s something in your eyes. There’s something in your eyes and I got a feeling it’s a big surprise. Never ever ever say never.)
> X.Y.U.
> Never Say Never (tease - lyrics during X.Y.U. outro jam)
[encore break]
BC: Quite frankly, we’re out of riffs, we have no more riffs. We’re out of riffs. There are no more riffs. There’s no more riffs. Yes, you may [unintelligible].
Iha: Thank you.
BC: That’s it, that’s the end of the concert, goodnight, go home. Go away! That’s it, there’s no more. ... (high pitched) “Maybe if we scream James, James’ll come back out and play us a riff.” (normal) No. No. Heh heh heh heh heh. James is too tired, he doesn’t wanna come back out. (high pitched) “No really, if we chant his name, he’ll come back out and play a riff.” (normal) No, no. James is tired. He’s busy studying chemistry. (audience chants for Iha)
We Love You (tease)
BC: Put those house lights on. House lights on. On, on, on! On, put the house lights on, put the house lights on. There you go. That’s it? Those are the house lights? Can we put the disco ball on? Is it possible to put the disco ball on? Heh, that’s it, huh? James, now this is really gonna put you - this is really gonna put you on the spot, this better be good.
Today (tease - Iha plays first 6 notes poorly)
BC: No. That was yesterday, this is tomorrow.
Tristessa (tease - Iha plays main riff)
BC: No, no one knows that one.
Rebel Rebel (tease - Iha plays riff)
We Love You
BC: Alright. Enough with all that gloom shit, now it’s time to have a party! Woo!! We are an internationally known party band. When you wanna smile and have a good time, you think of us. Because we get the funk out.
we’re gonna get so high
we’re gonna reach to the sky
we’re gonna make you wonder why
why
why
when is this concert gonna end?
whyyyyyyyyyyyy
everything’s gonna be okay
alright
okay
alright
i’ll strap on this word to my crooked back
i’ll sharpen my vampire teeth until I can never come back
i am eyes begone
i am poetry removed
i am the summer wind
(screamed) inside her
we love you
we love you
we love you
that’s right, we love you
we love you
we love you
we love you
oh, we love you
now it’s no crime
to play too long
to make albums that are too long
to make anything too long
life is like a tv channel, you know, you can just change it when it gets boring
we’re gonna get so high
we’re gonna reach through the ground
we’re gonna hail satan
and make him come around
we’re gonna kick his ass
and ask him why there’s so many bad metal bands
yeah satan, why?
satan, why?
whyyyy?
if you’re the all powerful devil, why can’t you make better metal music?
because evil should be evil and metal should be metal, you know what I’m saying?
we’re gonna get so high
we’re gonna reach to the sky
we’re gonna make you wonder why...you ever came
BC: Oh yeah, tricked ya. I trick Jimmy all the time. Heh heh heh.
We’re gonna get so high
we’re gonna reach to the sky
you’re gonna walk so far
you’re gonna wonder who you are
we love you
we love you
we love you
we love you (about 18x very fast)
whoa!
we love you (13x)
we love us (4x)
do you love us? (7x)
(screams)
(song ends)
BC: God bless you all and uh, we’re gonna do a tour in April and May so we’ll be back that soon, thank you.