Tsp1998-07-31B: Difference between revisions

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{| border="2" cellpadding="4" cellspacing="0" style="margin: 0 0 1em 1em; border: 1px #aaa solid; border-collapse: collapse; font-size: 95%;" align="right" width=280px
{| border="2" cellpadding="4" cellspacing="0" style="margin: 0 0 1em 1em; border: 1px #aaa solid;  
 
border-collapse: collapse; font-size: 95%;" align="right" width=280px
! bgcolor="#ffe156" colspan="2" | The Smashing Pumpkins
! bgcolor="#ffe156" colspan="2" | The Smashing Pumpkins
|-
|-
Line 12: Line 14:
|-
|-
! align="left" | Venue Type
! align="left" | Venue Type
| Unknown
| Theater/Auditorium
|-
|-
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings
|-
|-
! bgcolor="#fff9de" colspan="2" align="left" |  
! bgcolor="#fff9de" colspan="2" align="left" | FM #1
|-
! align="left" | Source
| PRO
|-
! align="left" | Format
| DAT
|-
! align="left" | Equipment
| FM>Sony PCM-R300
|-
! align="left" | Length
| 103m
|-
! align="left" | Complete?
| No, fades in/out between Appels + Oranjes and Bullet with Butterfly Wings [presumably commercial break or
 
set change] and during encore break [presumably charity check presentation and crowd noise]
|-
! align="left" | Lowest Circulating Generation
| DAT-M>CDR
|-
|-
! align="left" | Notes
! align="left" | Notes
|  
| Most circulating copies originated from Dave Asselin's recording as transferred by Fares Halteh.
|-
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #1
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| DAT
|-
! align="left" | Equipment
| CSBmod>M1
|-
! align="left" | Length
| 107m
|-
! align="left" | Complete?
| unknown
|-
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2
|-
! align="left" | Source
| AUD
|-
! align="left" | Format
| MD
|-
! align="left" | Equipment
| CSBmod>MS702
|-
! align="left" | Length
| 110m
|-
! align="left" | Complete?
| unknown
|-
|-
|}
|}
== Setlist ==
== Setlist ==
----
----
Set:
* To Sheila
* To Sheila
* Behold!
* Behold! the Night Mare
* the Night Mare
* Pug
* Pug
* Once Upon a Time
* Once Upon a Time
Line 33: Line 91:
* Annie-Dog
* Annie-Dog
* Thru the Eyes of Ruby
* Thru the Eyes of Ruby
(acoustic)
* Tonight, Tonight
* Tonight, Tonight
* Perfect
* Perfect
Line 46: Line 105:
== Banter ==
== Banter ==
<blockquote>
<blockquote>
(unknown)
<b>To Sheila</b><br>
<b>Behold! the Night Mare</b><br>
<b>Pug</b><br>
<b>Once Upon a Time</b><br>
<b>Ava Adore</b><br>
<b>Tear</b><br>
<b>Annie-Dog</b><br>
<b>Thru the Eyes of Ruby</b><br>
Corgan: Thank you very much. Thank you. Thank you, naked man, thank you.  Later on, he's going to get naked
 
for charity, but em... heh.  We'd like to thank you for sharing this special night with us, this special
 
charity concert. Take it all off, naked man, take it all off, for charity.  we may have to donate some more
 
money to get you to take it all off, but uh...heh...<br>
Iha: Might want to keep it on.<br>
Corgan: It's very nice to be back here, in Boston.  We appreciate you coming out. So, we'd like to dedicate
 
this song to all of you.  This is Tonight, Tonight.<br>
<b>Tonight, Tonight</b><br>
<b>Perfect</b><br>
<b>Appels + Oranjes</b>
Corgan: Thank you.<br>
<b>Bullet with Butterfly Wings</b><br>
<b>Shame</b><br>
<b>For Martha</b><br>
Intermission...
Corgan: One, two, three, four.<br>
<b>1979</b><br>
<b>Blank Page</b><br>
Corgan: God bless you, thank you.<br>
Iha: Thanks a lot.  Night.<br>
</blockquote>
</blockquote>
==Photos and Memorabillia==
[[Image:19980731.jpg|125px|left]]

Revision as of 11:30, 15 July 2005

border-collapse: collapse; font-size: 95%;" align="right" width=280px
The Smashing Pumpkins
Date 1998-07-31
Venue Orpheum Theater
Location Boston, MA, US
Venue Type Theater/Auditorium
Surfaced Recordings
FM #1
Source PRO
Format DAT
Equipment FM>Sony PCM-R300
Length 103m
Complete? No, fades in/out between Appels + Oranjes and Bullet with Butterfly Wings [presumably commercial break or

set change] and during encore break [presumably charity check presentation and crowd noise]

Lowest Circulating Generation DAT-M>CDR
Notes Most circulating copies originated from Dave Asselin's recording as transferred by Fares Halteh.
Unsurfaced Recordings
AUD #1
Source AUD
Format DAT
Equipment CSBmod>M1
Length 107m
Complete? unknown
AUD #2
Source AUD
Format MD
Equipment CSBmod>MS702
Length 110m
Complete? unknown

Setlist

Set:

  • To Sheila
  • Behold! the Night Mare
  • Pug
  • Once Upon a Time
  • Ava Adore
  • Tear
  • Annie-Dog
  • Thru the Eyes of Ruby

(acoustic)

  • Tonight, Tonight
  • Perfect
  • Appels + Oranjes
  • Bullet with Butterfly Wings
  • Shame
  • For Martha

Encore:

  • 1979
  • Blank Page

Banter

To Sheila
Behold! the Night Mare
Pug
Once Upon a Time
Ava Adore
Tear
Annie-Dog
Thru the Eyes of Ruby
Corgan: Thank you very much. Thank you. Thank you, naked man, thank you. Later on, he's going to get naked

for charity, but em... heh. We'd like to thank you for sharing this special night with us, this special

charity concert. Take it all off, naked man, take it all off, for charity. we may have to donate some more

money to get you to take it all off, but uh...heh...
Iha: Might want to keep it on.
Corgan: It's very nice to be back here, in Boston. We appreciate you coming out. So, we'd like to dedicate

this song to all of you. This is Tonight, Tonight.
Tonight, Tonight
Perfect
Appels + Oranjes Corgan: Thank you.
Bullet with Butterfly Wings
Shame
For Martha
Intermission... Corgan: One, two, three, four.
1979
Blank Page
Corgan: God bless you, thank you.
Iha: Thanks a lot. Night.

Photos and Memorabillia

File:19980731.jpg
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