Bc2004-04-19: Difference between revisions
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! align="left" | Capacity | ! align="left" | Capacity | ||
| 1100 | | 1100 | ||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
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! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DAT | | DAT-M | ||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
Line 63: | Line 60: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| WMV | | WMV-M | ||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | Oktava MC-012>UA-5 (P-Mod)>(laptop) | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| This taper used the same mics and split the input into 2 different recorders. | | Mic stand. This taper used the same mics and split the input into 2 different recorders. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2b | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #2b | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | Oktava MC-012>UA-5 (P-Mod)>PDAudio>IPAQ 3835 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Taped at 24bit/48khz. This taper used the same mics and split the input into 2 different recorders. | | Mic stand. Taped at 24bit/48khz. This taper used the same mics and split the input into 2 different recorders. | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | AT853>Battery Box>MS722 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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| Yes | | Yes | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | | ! align="left" | Notes | ||
| Mic stand. | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | |||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
| | | AUD | ||
|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | MD | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | ECM-717>MT-90 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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| Yes | | Yes | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD # | ! align="left" | Notes | ||
| I am confirming that I do, in fact, have a complete recording of this show. My levels were really high so unfortuntately clapping causes it to clip and distort. This is the reason why I haven't released it. Quality is better on the other source anyway. -spaceyraygun | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #5 | |||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | Unknown | ||
|- | |||
! align="left" | Length | |||
| Unknown | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | PRO #1 | |||
|- | |||
! align="left" | Source | |||
| PRO | |||
|- | |||
! align="left" | Format | |||
| VID | |||
|- | |||
! align="left" | Equipment | |||
| Pro-Cams | |||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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| Yes | | Yes | ||
|- | |- | ||
|} | |} | ||
== Setlist == | == Setlist == | ||
---- | ---- | ||
Set: | |||
* The World's Fair | * The World's Fair | ||
* Black Irish | * Black Irish | ||
Line 179: | Line 198: | ||
* El-A-Noy | * El-A-Noy | ||
* Columbus | * Columbus | ||
Encore One: | |||
Encore | |||
* You Were Mine | * You Were Mine | ||
* Spike Driver | * Spike Driver | ||
Encore | Encore Two: | ||
* For Your Love (abandoned) | * For Your Love (abandoned) | ||
* Come Undone | * Come Undone |
Revision as of 21:08, 29 October 2006
Billy Corgan | |
---|---|
Date | 2004-04-19 |
Venue | Metro |
Location | Chicago, IL, US |
Venue Type | Club |
Capacity | 1100 |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | DAB>DA-120F>M1 |
Length | 80m |
Complete? | No |
Lowest Circulating Generation | DAT-M |
Notes | Columbus cut, encores missing. |
PRO #1a | |
Source | WWW |
Format | WMV |
Equipment | PC |
Length | 4m |
Complete? | No |
Lowest Circulating Generation | WMV-M |
Notes | The World's Fair only. |
Unsurfaced Recordings | |
AUD #2a | |
Source | AUD |
Format | WAV |
Equipment | Oktava MC-012>UA-5 (P-Mod)>(laptop) |
Length | Unknown |
Complete? | Yes |
Notes | Mic stand. This taper used the same mics and split the input into 2 different recorders. |
AUD #2b | |
Source | AUD |
Format | WAV |
Equipment | Oktava MC-012>UA-5 (P-Mod)>PDAudio>IPAQ 3835 |
Length | Unknown |
Complete? | Yes |
Notes | Mic stand. Taped at 24bit/48khz. This taper used the same mics and split the input into 2 different recorders. |
AUD #3 | |
Source | AUD |
Format | MD |
Equipment | AT853>Battery Box>MS722 |
Length | Unknown |
Complete? | Yes |
Notes | Mic stand. |
AUD #4 | |
Source | AUD |
Format | MD |
Equipment | ECM-717>MT-90 |
Length | Unknown |
Complete? | Yes |
Notes | I am confirming that I do, in fact, have a complete recording of this show. My levels were really high so unfortuntately clapping causes it to clip and distort. This is the reason why I haven't released it. Quality is better on the other source anyway. -spaceyraygun |
AUD #5 | |
Source | AUD |
Format | MD |
Equipment | Unknown |
Length | Unknown |
Complete? | Unknown |
PRO #1 | |
Source | PRO |
Format | VID |
Equipment | Pro-Cams |
Length | Unknown |
Complete? | Yes |
Setlist
Set:
- The World's Fair
- Black Irish
- Black Sox
- Friends as Lovers, Lovers as Friends
- Say Goodbye
- Prairie Song
- Bobby Franks
- White Lights
- Riverview
- White City
- El-A-Noy
- Columbus
Encore One:
- You Were Mine
- Spike Driver
Encore Two:
- For Your Love (abandoned)
- Come Undone
Banter
(unknown)