Tsp1996-10-05: Difference between revisions
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== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | <b>MCIS<br> | ||
Where Boys Fear to Tread<br> | |||
Zero<br> | |||
Cherub Rock<br> | |||
To Forgive<br> | |||
Tonight, Tonight<br> | |||
Today<br> | |||
Thru the Eyes of Ruby<br> | |||
Porcelina of the Vast Oceans<br> | |||
We Only Come Out at Night<br> | |||
Disarm<br> | |||
Bullet with Butterfly Wings<br> | |||
Fuck You<br> | |||
Muzzle</b><br> | |||
[Encore Break]<br> | |||
<b>1979<br> | |||
X.Y.U.</b><br> | |||
[Encore Break]<br> | |||
<b>Mayonaise</b><br> | |||
[Encore Break]<br> | |||
<b>Silverfuck</b><br> | |||
<blockquote> | |||
and I hear your winter<br> | |||
and I hear your rain<br> | |||
and I failed your summer ways<br> | |||
and I feel no pain<br> | |||
I feel no pain<br> | |||
<br> | |||
and I hear you fade away<br> | |||
and I hear you crawl<br> | |||
and I gave my life away<br> | |||
and I feel no<br> | |||
and I feel no<br> | |||
and I feel no<br> | |||
pain<br> | |||
<br> | |||
I feel no pain<br> | |||
Yeah I feel no pain<br> | |||
and I feel no pain<br> | |||
and I feel no pain<br> | |||
and I feel no pain<br> | |||
<br> | |||
and I feel no pain<br> | |||
and I feel no pain<br> | |||
and I feel no pain<br> | |||
<br> | |||
and I feel no pain<br> | |||
<br> | |||
She was my lover<br> | |||
She was my angel<br> | |||
What I recover<br> | |||
Whatever was left<br> | |||
I put into a box<br> | |||
I put into a box Underneath my bead<br> | |||
The very same bed where she had rested her head<br> | |||
I her in a box underneath my bed<br> | |||
I her in a box and she had so much to say<br> | |||
<br> | |||
hell hath no fury like a woman's scorn<br> | |||
<br> | |||
and I said Baby Why?<br> | |||
Baby why must you make me cry<br> | |||
Why must the sad girls make me cry<br> | |||
Why must the girls make me cry<br> | |||
<br> | |||
It was no fun any more<br> | |||
So I headed for the door<br> | |||
but there was no door<br> | |||
fooled again<br> | |||
Tricks are for kids<br> | |||
<br> | |||
Baby my baby<br> | |||
Where are you now?<br> | |||
Baby my Baby<br> | |||
<br> | |||
lost in the clouds<br> | |||
<br> | |||
I send her a secret message through the ethers<br> | |||
that our time come again<br> | |||
because we've always been together<br> | |||
and this we could not pretend<br> | |||
yeah<br> | |||
<br> | |||
fucking whore<br> | |||
fucking whore<br> | |||
fucking whore<br> | |||
fucking whore<br> | |||
fucking whore<br> | |||
fucking whore<br> | |||
She was a fucking whore<br> | |||
yeah<br> | |||
<br> | |||
Go<br> | |||
<br> | |||
Yeah<br> | |||
</blockquote> | |||
<b>(jam)</b><br> | |||
<blockquote> | |||
cause we're on a mission to mars<br> | |||
a mission to mars<br> | |||
no matter how far the rocket goes<br> | |||
it will go far<br> | |||
on our mission to mars<br> | |||
ahh<br> | |||
<br> | |||
love is a sentimental heart<br> | |||
and life is a sentimental way<br> | |||
so spy this fragile heart so cursed<br> | |||
as I walks carcass across this earth<br> | |||
yeah<br> | |||
<br> | |||
let my man here james here take you to the stratosphere<br> | |||
show 'em<br> | |||
<br> | |||
James, he knows how to get there<br> | |||
<br> | |||
if you could put on the lights there for a second there sammy man<br> | |||
<br> | |||
thanks you for all stayin'<br> | |||
see the end of the show<br> | |||
our favorite part<br> | |||
not cause it's of the end of the show<br> | |||
because just of this wicked jam<br> | |||
<br> | |||
usually when we get to this part of the show<br> | |||
there's a lot of empty seats<br> | |||
cause people<br> | |||
they've seen their MTV hits <br> | |||
they're ready to split<br> | |||
so thanks for stayin'<br> | |||
<br> | |||
so all aboard<br> | |||
the infinite sadness train<br> | |||
it's leavin' right now<br> | |||
all aboard johnny<br> | |||
and jackie<br> | |||
and sammy<br> | |||
and freedy<br> | |||
and tommy<br> | |||
<br> | |||
can you people hear up there?<br> | |||
can you hear<br> | |||
can you dig it?<br> | |||
<br> | |||
we're sending you an intergalactic communication<br> | |||
from this side to that side<br> | |||
<br> | |||
so guess what<br> | |||
let me tell you the secret<br> | |||
shhh<br> | |||
I'll promise to tell you a secret if you don't tell nobody<br> | |||
the secret<br> | |||
shhh<br> | |||
you promise not to tell anybody<br> | |||
alright<br> | |||
<br> | |||
alright, got to bring the band down here<br> | |||
shhh<br> | |||
<br> | |||
here's the secret<br> | |||
the secret is there is no secret<br> | |||
you know why?<br> | |||
cause there ain't nothing to know<br> | |||
except yourself, your family, your earth, your feet, your stomach, and your heart<br> | |||
all the rest of it<br> | |||
clothes<br> | |||
hair<br> | |||
it's all kind of meaningless in the end<br> | |||
trust me<br> | |||
that's the secret<br> | |||
but don't tell no body<br> | |||
Geno<br> | |||
I'll come kick your ass<br> | |||
<br> | |||
so every night we play in front of a bunch of people<br> | |||
you know<br> | |||
after a while it becomes a sea of faces<br> | |||
it's just a sea of faces<br> | |||
it's hard to pick individual people out<br> | |||
because you're all so fucking beautiful<br> | |||
you know<br> | |||
can't focus on anybody<br> | |||
<br> | |||
but here<br> | |||
here in this place<br> | |||
I know your<br> | |||
I know your faces<br> | |||
I know you<br> | |||
I know where you come from<br> | |||
I know where you're going<br> | |||
<br> | |||
the best people that I've ever met always come from Chicago<br> | |||
you know why<br> | |||
do you know why<br> | |||
because we live<br> | |||
we all of us<br> | |||
live in motherfuckin' reality<br> | |||
that's why<br> | |||
<br> | |||
and that's what I like<br> | |||
<br> | |||
so we send you this message of love<br> | |||
of compassion<br> | |||
and of trust<br> | |||
trust in me<br> | |||
I trust in you<br> | |||
<br> | |||
thank you<br> | |||
<br> | |||
we hope you've had a good journey with us<br> | |||
<br> | |||
may the (unintelligible)<br> | |||
and the suckers<br> | |||
and the teachers<br> | |||
and whoever else gets you down<br> | |||
not get you down<br> | |||
<br> | |||
we are<br> | |||
have been<br> | |||
and will always be<br> | |||
the smashing pumpkins<br> | |||
<br> | |||
this one is for our boys in filter<br> | |||
</blockquote> | |||
Iha: (unintelligible). Good night. Good night, thanks everybody<br> | |||
Corgan: God bless you. Thank you. Thanks for putting up with our bullshit again. Hey! Put the lights on! | |||
</blockquote> | </blockquote> |
Revision as of 17:21, 24 October 2011
The Smashing Pumpkins | |
---|---|
Date | 1996-10-05 |
Venue | Rosemont Horizon |
Location | Rosemont, IL, US |
Venue Type | Arena |
Capacity | 18,500 |
Lineup | Corgan, Iha, Wretzky, Walker, Flemion |
Order of Bands | Grant Lee Buffalo, The Smashing Pumpkins |
Surfaced Recordings | |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | CSB>TCD-D7 |
Length | 142m |
Complete? | Yes |
Lowest Circulating Generation | DDC-?>FLAC |
Live Music Archive | 16-bit download |
Notes | Taper notes the date, band and venue after the show. |
AMT #1a | |
Source | AUD |
Format | VID |
Equipment | Unknown |
Length | 12m |
Complete? | No |
Lowest Circulating Generation | VHS-?>DVD |
Notes | 1979 only. Circulates on Vieuphoria 2 fan compilation. |
Unsurfaced Recordings | |
AUD #2 | |
Source | AUD |
Format | DAT |
Equipment | SS Mic>TCD-D7 |
Length | ~140m |
Complete? | Unknown |
AMT #1 | |
Source | AUD |
Format | VID |
Equipment | Unknown |
Length | ~140m |
Complete? | No |
Notes | VHS copies exist. Taper holds the camera at a weird angle. Some versions do not include Silverfuck. |
Setlist
Set:
- Mellon Collie and the Infinite Sadness (over PA)
- Where Boys Fear to Tread
- Zero
- Cherub Rock
- To Forgive
- Tonight, Tonight
- Today
- Thru the Eyes of Ruby
- Porcelina of the Vast Oceans
- Beautiful (unfinished)
- Rocket (tease)
- We Only Come Out at Night (one verse only)
- Disarm
- Bullet with Butterfly Wings
- Fuck You
- Muzzle
Encore One:
- 1979 (with the Frogs)
- X.Y.U.
Encore Two:
- Mayonaise
Encore Three:
- Silverfuck
- The Aeroplane Flies High (tease)
Banter
MCIS
Where Boys Fear to Tread
Zero
Cherub Rock
To Forgive
Tonight, Tonight
Today
Thru the Eyes of Ruby
Porcelina of the Vast Oceans
We Only Come Out at Night
Disarm
Bullet with Butterfly Wings
Fuck You
Muzzle
[Encore Break]
1979
X.Y.U.
[Encore Break]
Mayonaise
[Encore Break]
Silverfuck
and I hear your winter
and I hear your rain
and I failed your summer ways
and I feel no pain
I feel no pain
and I hear you fade away
and I hear you crawl
and I gave my life away
and I feel no
and I feel no
and I feel no
pain
I feel no pain
Yeah I feel no pain
and I feel no pain
and I feel no pain
and I feel no pain
and I feel no pain
and I feel no pain
and I feel no pain
and I feel no pain
She was my lover
She was my angel
What I recover
Whatever was left
I put into a box
I put into a box Underneath my bead
The very same bed where she had rested her head
I her in a box underneath my bed
I her in a box and she had so much to say
hell hath no fury like a woman's scorn
and I said Baby Why?
Baby why must you make me cry
Why must the sad girls make me cry
Why must the girls make me cry
It was no fun any more
So I headed for the door
but there was no door
fooled again
Tricks are for kids
Baby my baby
Where are you now?
Baby my Baby
lost in the clouds
I send her a secret message through the ethers
that our time come again
because we've always been together
and this we could not pretend
yeah
fucking whore
fucking whore
fucking whore
fucking whore
fucking whore
fucking whore
She was a fucking whore
yeah
Go
Yeah
(jam)
cause we're on a mission to mars
a mission to mars
no matter how far the rocket goes
it will go far
on our mission to mars
ahh
love is a sentimental heart
and life is a sentimental way
so spy this fragile heart so cursed
as I walks carcass across this earth
yeah
let my man here james here take you to the stratosphere
show 'em
James, he knows how to get there
if you could put on the lights there for a second there sammy man
thanks you for all stayin'
see the end of the show
our favorite part
not cause it's of the end of the show
because just of this wicked jam
usually when we get to this part of the show
there's a lot of empty seats
cause people
they've seen their MTV hits
they're ready to split
so thanks for stayin'
so all aboard
the infinite sadness train
it's leavin' right now
all aboard johnny
and jackie
and sammy
and freedy
and tommy
can you people hear up there?
can you hear
can you dig it?
we're sending you an intergalactic communication
from this side to that side
so guess what
let me tell you the secret
shhh
I'll promise to tell you a secret if you don't tell nobody
the secret
shhh
you promise not to tell anybody
alright
alright, got to bring the band down here
shhh
here's the secret
the secret is there is no secret
you know why?
cause there ain't nothing to know
except yourself, your family, your earth, your feet, your stomach, and your heart
all the rest of it
clothes
hair
it's all kind of meaningless in the end
trust me
that's the secret
but don't tell no body
Geno
I'll come kick your ass
so every night we play in front of a bunch of people
you know
after a while it becomes a sea of faces
it's just a sea of faces
it's hard to pick individual people out
because you're all so fucking beautiful
you know
can't focus on anybody
but here
here in this place
I know your
I know your faces
I know you
I know where you come from
I know where you're going
the best people that I've ever met always come from Chicago
you know why
do you know why
because we live
we all of us
live in motherfuckin' reality
that's why
and that's what I like
so we send you this message of love
of compassion
and of trust
trust in me
I trust in you
thank you
we hope you've had a good journey with us
may the (unintelligible)
and the suckers
and the teachers
and whoever else gets you down
not get you down
we are
have been
and will always be
the smashing pumpkins
this one is for our boys in filter
Iha: (unintelligible). Good night. Good night, thanks everybody
Corgan: God bless you. Thank you. Thanks for putting up with our bullshit again. Hey! Put the lights on!