Tsp1998-08-01: Difference between revisions
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! align="left" | Notes | ! align="left" | Notes | ||
| Perfect cuts. | | Perfect cuts. | ||
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! bgcolor="#fff9de" colspan="2" align="left" | AUD #3 | |||
|- | |||
! align="left" | Source | |||
| AUD | |||
|- | |||
! align="left" | Format | |||
| MD | |||
|- | |||
! align="left" | Equipment | |||
| MZ-R55 | |||
|- | |||
! align="left" | Length | |||
| ~125m | |||
|- | |||
! align="left" | Complete? | |||
| Yes | |||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| MD-M>FLAC | |||
|- | |||
! align="left" | Notes | |||
| Center, 20 rows back. Mics may have been CSB(LC). | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ! bgcolor="#fff9de" colspan="2" align="left" | AMT #1 | ||
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! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | ||
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! bgcolor="#fff9de" colspan="2" align="left" | AUD # | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #4 | ||
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! align="left" | Source | ! align="left" | Source | ||
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| Unknown | | Unknown | ||
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! bgcolor="#fff9de" colspan="2" align="left" | AUD # | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #5 | ||
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! align="left" | Source | ! align="left" | Source | ||
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| Balcony, third mezzanie, six rows back. | | Balcony, third mezzanie, six rows back. | ||
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! bgcolor="#fff9de" colspan="2" align="left" | AUD # | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #6 | ||
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! align="left" | Source | ! align="left" | Source | ||
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! align="left" | Complete? | ! align="left" | Complete? | ||
| Yes | | Yes | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #7 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #7 | ||
Revision as of 15:08, 5 August 2012
| The Smashing Pumpkins | |
|---|---|
| Date | 1998-08-01 |
| Venue | Radio City Music Hall |
| Location | New York, NY, US |
| Venue Type | Concert Hall |
| Capacity | 6200 |
| Lineup | Corgan, Iha, Wretzky, Aronoff, Garson, Morris, Hodges |
| Order of Bands | The Smashing Pumpkins |
| Surfaced Recordings | |
| AUD #1 | |
| Source | AUD |
| Format | DAT |
| Equipment | CSBMod>TCD-D8 |
| Length | ~125m |
| Complete? | Yes |
| Lowest Circulating Generation | DDC-?>CDR |
| Notes | Floor. |
| AUD #2 | |
| Source | AUD |
| Format | DAT |
| Equipment | CSBMod>M1 |
| Length | 125m |
| Complete? | No |
| Lowest Circulating Generation | DDC-?>CDR |
| Notes | Perfect cuts. |
| AUD #3 | |
| Source | AUD |
| Format | MD |
| Equipment | MZ-R55 |
| Length | ~125m |
| Complete? | Yes |
| Lowest Circulating Generation | MD-M>FLAC |
| Notes | Center, 20 rows back. Mics may have been CSB(LC). |
| AMT #1 | |
| Source | AUD |
| Format | Hi8 |
| Equipment | Unknown |
| Length | 120m |
| Complete? | No |
| Lowest Circulating Generation | Unknown Media/Gen>DVD |
| Notes | Handheld, center/left balcony. Behold! the Night Mare cuts. Circulates mixed with AMT #2. |
| AMT #2 | |
| Source | AUD |
| Format | Hi8 |
| Equipment | Unknown |
| Length | 120m |
| Complete? | No |
| Lowest Circulating Generation | Unknown Media/Gen>DVD |
| Notes | Tripod, left balcony. Behold! the Night Mare cuts. Circulates mixed with AMT #1. |
| Unsurfaced Recordings | |
| AUD #4 | |
| Source | AUD |
| Format | DAT |
| Equipment | ECM-717>TCD-D8 |
| Length | ~125m |
| Complete? | Unknown |
| AUD #5 | |
| Source | AUD |
| Format | DAT |
| Equipment | CSBMod>TCD-D7 |
| Length | ~125m |
| Complete? | Unknown |
| Notes | Balcony, third mezzanie, six rows back. |
| AUD #6 | |
| Source | AUD |
| Format | MD |
| Equipment | CSB>MZ-R30 |
| Length | ~125m |
| Complete? | Yes |
| AUD #7 | |
| Source | AUD |
| Format | MD |
| Equipment | CSBMod>MS702 |
| Length | ~125m |
| Complete? | Unknown |
| Notes | 3rd row far left orchestra, front of the left stack. |
| AUD #8 | |
| Source | AUD |
| Format | ANA |
| Equipment | Sony Walkman |
| Length | Unknown |
| Complete? | Unknown |
| Notes | Left section, row R (just under the balcony overhand). |
| AMT #3 | |
| Source | AUD |
| Format | VID |
| Equipment | Unknown |
| Length | Unknown |
| Complete? | Unknown |
| Notes | Floor, near the stage. |
Setlist
Set:
- To Sheila
- Behold! the Night Mare
- Pug
- Once Upon a Time
- Ava Adore
- Tear
- Annie-Dog
- Thru the Eyes of Ruby
- Blank Page
- Tonight, Tonight
- Perfect
- (percussion solo)
- Bullet with Butterfly Wings
- Shame
- For Martha
Encore:
- 1979
- Transmission [Joy Division]
Notes
- Tonight, Tonight and Perfect performed acoustic
- audience members are brought on stage at the end of Transmission
Banter
(unknown)