Tsp2000-04-16: Difference between revisions
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|- | |- | ||
! align="left" | Venue Type | ! align="left" | Venue Type | ||
| | | Club | ||
|- | |- | ||
! align="left" | Capacity | ! align="left" | Capacity | ||
| 4500 | | 4500 | ||
|- | |- | ||
! align="left" | | ! align="left" | Lineup | ||
| | | Corgan, Iha, Chamberlin, Auf der Maur | ||
|- | |||
! align="left" | Order of Bands | |||
| The Smashing Pumpkins | |||
|- | |- | ||
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ! bgcolor="#ffe156" colspan="2" | Surfaced Recordings | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| D7 | | TCD-D7 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 133m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
Line 40: | Line 43: | ||
|- | |- | ||
! align="left" | Lowest Circulating Generation | ! align="left" | Lowest Circulating Generation | ||
| DAT | | DAT-M > CDR | ||
|- | |||
! align="left" | Live Music Archive | |||
| [https://archive.org/details/tsp2000-04-16.fm1 16-bit download] | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Many copies of | | Many copies of DAT-M > CDR have bad track transitions which are not present in DAT-1 > FLAC | ||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | FM #2 | ! bgcolor="#fff9de" colspan="2" align="left" | FM #2 | ||
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|- | |- | ||
! align="left" | Format | ! align="left" | Format | ||
| | | CDR | ||
|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | Yamaha DSP-A1 > Goldlink 24bit A/D > Tascam CDRW700 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 140m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | Yes | ||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| CDR-0 > SHN | |||
|- | |||
! align="left" | Live Music Archive | |||
| [http://www.archive.org/details/tsp2000-04-16.Chigago.flac 16-bit download] | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | FM # | ! bgcolor="#fff9de" colspan="2" align="left" | FM #5 | ||
|- | |- | ||
! align="left" | Source | ! align="left" | Source | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | Sony PCM R-500 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 129m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | Yes | ||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| DAT-M > FLAC | |||
|- | |||
! align="left" | Live Music Archive | |||
| [https://archive.org/details/sp2000-04-16.fm.wxrt.krw_co.flac16 16-bit download] | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #1 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #1 | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| CSBMod>M1 | | CSBMod > M1 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
| | | Yes | ||
|- | |||
! align="left" | Lowest Circulating Generation | |||
| DDC-? > CDR | |||
|- | |- | ||
! align="left" | Notes | ! align="left" | Notes | ||
| Center, halfway between board and stage. | | Center, halfway between board and stage. | ||
|- | |||
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | FM #3 | |||
|- | |||
! align="left" | Source | |||
| FM | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| TCD-D7 | |||
|- | |||
! align="left" | Length | |||
| ~140m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |||
! bgcolor="#fff9de" colspan="2" align="left" | FM #4 | |||
|- | |||
! align="left" | Source | |||
| FM | |||
|- | |||
! align="left" | Format | |||
| DAT | |||
|- | |||
! align="left" | Equipment | |||
| M1 | |||
|- | |||
! align="left" | Length | |||
| ~140m | |||
|- | |||
! align="left" | Complete? | |||
| Unknown | |||
|- | |- | ||
! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ! bgcolor="#fff9de" colspan="2" align="left" | AUD #2 | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| CSB>MZ-R55 | | CSB > MZ-R55 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
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|- | |- | ||
! align="left" | Equipment | ! align="left" | Equipment | ||
| | | AT-853 > Sound Professionals Battery Box > MS722 | ||
|- | |- | ||
! align="left" | Length | ! align="left" | Length | ||
| | | 127m | ||
|- | |- | ||
! align="left" | Complete? | ! align="left" | Complete? | ||
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== Setlist == | == Setlist == | ||
---- | ---- | ||
Set: | |||
* Rock On [Essex] | * Rock On [Essex] | ||
* Heavy Metal Machine | * Heavy Metal Machine | ||
Line 153: | Line 209: | ||
* The Everlasting Gaze | * The Everlasting Gaze | ||
* Bullet with Butterfly Wings | * Bullet with Butterfly Wings | ||
** Once in a Lifetime [Talking Heads] | ** Once in a Lifetime [Talking Heads] [7:11] | ||
* Blue Skies Bring Tears | * Blue Skies Bring Tears | ||
* Tonight, Tonight | * Tonight, Tonight | ||
Line 164: | Line 220: | ||
* Join Together [The Who] | * Join Together [The Who] | ||
** Today (tease) | ** Today (tease) | ||
=== Notes === | |||
* To Sheila, Disarm, Try, Try, Try, Ava Adore, and 1979 performed acoustic | |||
== Banter == | == Banter == | ||
<blockquote> | <blockquote> | ||
( | '''Rock On'''<br> | ||
'''Heavy Metal Machine'''<br> | |||
'''Age of Innocence'''<br> | |||
'''Glass and the Ghost Children'''<br> | |||
BC: Good evening, everybody, good evening. Gooooood evening! You know, um, when me and James were, uh, young boys, we used to listen to like, uh, live rock concerts and there’d always be that guy would say, “You know, you people, tonight we’re taping and, uh...”<br> | |||
Iha: That’s right!<br> | |||
BC: Well...that’s right, and, um, so just a, for those of you that don’t know, right now we’re, uh, live on the radio, WXRT. So tonight, people, we’re taping, let everyone hear you out there in Chicago.<br> | |||
Iha: I can’t hear you!<br> | |||
BC: Ah, we’d like to dedicate this next song to, uh, to a friend of ours, uh, Johnny Marr from WXRT, he’s celebrating his 20th anniversary at WXRT and I know me and James are, he was the guy that always played the Smiths and all the weird bands, so...thank you, Johnny. This song’s for Johnny.<br> | |||
'''I of the Mourning'''<br> | |||
'''This Time'''<br> | |||
BC: Thank you very much, thank you. Thanks. Now I’d like to introduce you to somebody. Many of you know him as a superhero, uh, a space age character. I just know him as this...sort of shy, introspective kind of guy. Ladies and gentlemen, Mr. James Iha.<br> | |||
'''Blew Away'''<br> | |||
'''Stand Inside Your Love'''<br> | |||
Le Deux Machina (tape)<br> | |||
'''To Sheila''' (Billy acoustic w/Iha)<br> | |||
'''Disarm''' (acoustic)<br> | |||
BC: Thank you very much, thank you. We’d like to, uh, play a song for you we’ve never played live before, so...heh heh. You might not be cheering after the song, but, um... This is a song from our new album, it’s called Try, Try, Try, Try, Try, Try, Try.<br> | |||
'''Try, Try, Try''' (acoustic)<br> | |||
'''Ava Adore''' (acoustic)<br> | |||
'''Mayonaise'''<br> | |||
'''The Everlasting Gaze'''<br> | |||
'''Bullet with Butterfly Wings'''<br> | |||
> '''Once in a Lifetime'''<br> | |||
'''Blue Skies Bring Tears'''<br> | |||
'''Tonight, Tonight'''<br> | |||
> '''Cherub Rock''' (abandoned)<br> | |||
BC: Hold on there, Jimmy. Hold on, Jimmy. Hold on, Jimmy. I think these people are a little too tired and they can’t handle the Cherub Rock right now. I mean, honestly, the show’s been a little long. We sort of, uh, went out on a limb a couple of times. It’s not fair to keep pushing these people past the boundaries of their hearing and their, their tolerance for rock and roll. ...<br> | |||
Iha: Are you peep - are you people still with us? Having a reasonable...[unintelligible] time? Are you still with us? Ready to rock once more? Alright.<br> | |||
'''Cherub Rock'''<br> | |||
[encore break]<br> | |||
'''Blank Page'''<br> | |||
'''Today'''<br> | |||
[encore break]<br> | |||
Iha: Hey, thanks a lot. Chicago, our hometown, you rock. Uh, I’d like to make some quick introductions. On drums and acoustic guitar, Mr. Jimmy Chamberlin. ''(Jimmy strums)'' Ah yes, the sweet sound of Spanish guitar licks. On lead vocals and acoustic guitar, Mr. Billy Corgan. (more strumming) Aye chihuahua. Uh, heh. And on the bass guitar and socialism, Ms. Melissa Auf der Maur. ''(more strumming)'' Aye carumba. Um, and I am...James. ''(strumming)'' Alright. What’s your favorite year?<br> | |||
'''1979''' (acoustic, Jimmy plays guitar)<br> | |||
BC: Thank you so very much for a nice, wonderful, exciting, visceral, yes, even at times profane concert. Thanks a lot to all of you for coming.<br> | |||
Iha: Bless you.<br> | |||
BC: As always, it is, uh, an honor and privilege to play in front of our hometown. Of course, you truly understand what it means to be from the suburbs, and then being that we’re from the suburbs our self and we all know what that means. Dead.<br> | |||
'''Join Together'''<br> | |||
> '''Today (tease)'''<br> | |||
BC: Thank you, god bless you. Thank you.<br> | |||
Iha: Thanks a lot. Thanks a lot. Goodnight, everybody.<br> | |||
</blockquote> | </blockquote> | ||
== Photos & Memorabilia == | |||
[[Image:00XXXX-Shirt.jpg|125px|left]] | |||
[[Image:Tsp2000-04-16-ticket.jpg|150px|left]] | |||
[[Image:Tsp2000-04-16.jpg|250px|left]] | |||
[[Image:Tsp2000-04-16-1.jpg|250px|left]] | |||
[[Image:Tsp2000-04-15-16.jpg|250px|left]] | |||
[[Image:Tsp2000-04-15-16b.jpg|250px|left]] |
Latest revision as of 11:48, 11 October 2024
The Smashing Pumpkins | |
---|---|
Date | 2000-04-16 |
Venue | Aragon Ballroom |
Location | Chicago, IL, US |
Venue Type | Club |
Capacity | 4500 |
Lineup | Corgan, Iha, Chamberlin, Auf der Maur |
Order of Bands | The Smashing Pumpkins |
Surfaced Recordings | |
FM #1 | |
Source | FM |
Format | DAT |
Equipment | TCD-D7 |
Length | 133m |
Complete? | Yes |
Lowest Circulating Generation | DAT-M > CDR |
Live Music Archive | 16-bit download |
Notes | Many copies of DAT-M > CDR have bad track transitions which are not present in DAT-1 > FLAC |
FM #2 | |
Source | FM |
Format | CDR |
Equipment | Yamaha DSP-A1 > Goldlink 24bit A/D > Tascam CDRW700 |
Length | 140m |
Complete? | Yes |
Lowest Circulating Generation | CDR-0 > SHN |
Live Music Archive | 16-bit download |
FM #5 | |
Source | FM |
Format | DAT |
Equipment | Sony PCM R-500 |
Length | 129m |
Complete? | Yes |
Lowest Circulating Generation | DAT-M > FLAC |
Live Music Archive | 16-bit download |
AUD #1 | |
Source | AUD |
Format | DAT |
Equipment | CSBMod > M1 |
Length | 131m |
Complete? | Yes |
Lowest Circulating Generation | DDC-? > CDR |
Notes | Center, halfway between board and stage. |
Unsurfaced Recordings | |
FM #3 | |
Source | FM |
Format | DAT |
Equipment | TCD-D7 |
Length | ~140m |
Complete? | Unknown |
FM #4 | |
Source | FM |
Format | DAT |
Equipment | M1 |
Length | ~140m |
Complete? | Unknown |
AUD #2 | |
Source | AUD |
Format | MD |
Equipment | CSB > MZ-R55 |
Length | Unknown |
Complete? | Unknown |
AUD #3 | |
Source | AUD |
Format | MD |
Equipment | AT-853 > Sound Professionals Battery Box > MS722 |
Length | 127m |
Complete? | Unknown |
Setlist
Set:
- Rock On [Essex]
- Heavy Metal Machine
- Age of Innocence
- Glass and the Ghost Children
- I of the Mourning
- This Time
- Blew Away
- Stand Inside Your Love
- To Sheila
- Disarm
- Try, Try, Try
- Ava Adore
- Mayonaise
- The Everlasting Gaze
- Bullet with Butterfly Wings
- Once in a Lifetime [Talking Heads] [7:11]
- Blue Skies Bring Tears
- Tonight, Tonight
- Cherub Rock
Encore One:
- Blank Page
- Today
Encore Two:
- 1979
- Join Together [The Who]
- Today (tease)
Notes
- To Sheila, Disarm, Try, Try, Try, Ava Adore, and 1979 performed acoustic
Banter
Rock On
Heavy Metal Machine
Age of Innocence
Glass and the Ghost Children
BC: Good evening, everybody, good evening. Gooooood evening! You know, um, when me and James were, uh, young boys, we used to listen to like, uh, live rock concerts and there’d always be that guy would say, “You know, you people, tonight we’re taping and, uh...”
Iha: That’s right!
BC: Well...that’s right, and, um, so just a, for those of you that don’t know, right now we’re, uh, live on the radio, WXRT. So tonight, people, we’re taping, let everyone hear you out there in Chicago.
Iha: I can’t hear you!
BC: Ah, we’d like to dedicate this next song to, uh, to a friend of ours, uh, Johnny Marr from WXRT, he’s celebrating his 20th anniversary at WXRT and I know me and James are, he was the guy that always played the Smiths and all the weird bands, so...thank you, Johnny. This song’s for Johnny.
I of the Mourning
This Time
BC: Thank you very much, thank you. Thanks. Now I’d like to introduce you to somebody. Many of you know him as a superhero, uh, a space age character. I just know him as this...sort of shy, introspective kind of guy. Ladies and gentlemen, Mr. James Iha.
Blew Away
Stand Inside Your Love
Le Deux Machina (tape)
To Sheila (Billy acoustic w/Iha)
Disarm (acoustic)
BC: Thank you very much, thank you. We’d like to, uh, play a song for you we’ve never played live before, so...heh heh. You might not be cheering after the song, but, um... This is a song from our new album, it’s called Try, Try, Try, Try, Try, Try, Try.
Try, Try, Try (acoustic)
Ava Adore (acoustic)
Mayonaise
The Everlasting Gaze
Bullet with Butterfly Wings
> Once in a Lifetime
Blue Skies Bring Tears
Tonight, Tonight
> Cherub Rock (abandoned)
BC: Hold on there, Jimmy. Hold on, Jimmy. Hold on, Jimmy. I think these people are a little too tired and they can’t handle the Cherub Rock right now. I mean, honestly, the show’s been a little long. We sort of, uh, went out on a limb a couple of times. It’s not fair to keep pushing these people past the boundaries of their hearing and their, their tolerance for rock and roll. ...
Iha: Are you peep - are you people still with us? Having a reasonable...[unintelligible] time? Are you still with us? Ready to rock once more? Alright.
Cherub Rock
[encore break]
Blank Page
Today
[encore break]
Iha: Hey, thanks a lot. Chicago, our hometown, you rock. Uh, I’d like to make some quick introductions. On drums and acoustic guitar, Mr. Jimmy Chamberlin. (Jimmy strums) Ah yes, the sweet sound of Spanish guitar licks. On lead vocals and acoustic guitar, Mr. Billy Corgan. (more strumming) Aye chihuahua. Uh, heh. And on the bass guitar and socialism, Ms. Melissa Auf der Maur. (more strumming) Aye carumba. Um, and I am...James. (strumming) Alright. What’s your favorite year?
1979 (acoustic, Jimmy plays guitar)
BC: Thank you so very much for a nice, wonderful, exciting, visceral, yes, even at times profane concert. Thanks a lot to all of you for coming.
Iha: Bless you.
BC: As always, it is, uh, an honor and privilege to play in front of our hometown. Of course, you truly understand what it means to be from the suburbs, and then being that we’re from the suburbs our self and we all know what that means. Dead.
Join Together
> Today (tease)
BC: Thank you, god bless you. Thank you.
Iha: Thanks a lot. Thanks a lot. Goodnight, everybody.