Tsp1996-05-03: Difference between revisions

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Line 14: Line 14:
| Unknown
| Unknown
|-
|-
! align="left" | Notes
! align="left" | Capacity
| All acoustic show. Only known acoustic version of Thru The Eyes Of Ruby.
| Unknown
|-
! align="left" | Lineup
| Corgan, Iha, Wretzky, Chamberlin
|-
! align="left" | Order of Bands
| The Smashing Pumpkins
|-
|-
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings
! bgcolor="#ffe156" colspan="2" | Surfaced Recordings
Line 37: Line 43:
|-
|-
! align="left" | Lowest Circulating Generation
! align="left" | Lowest Circulating Generation
| ANA(?)>CDR
| ANA-? > CDR
|-
! align="left" | Live Music Archive
| [http://www.archive.org/details/tsp1996-05-03.fm 16-bit download]
|-
! align="left" | Notes
| Almost every song is cut off in some way by the DJs. Tape flip in Muzzle.
|-
! bgcolor="#fff9de" colspan="2" align="left" | PRO #1a
|-
! align="left" | Source
| TV
|-
! align="left" | Format
| VHS
|-
! align="left" | Equipment
| Unknown
|-
! align="left" | Length
| 25m
|-
! align="left" | Complete?
| No
|-
! align="left" | YouTube
| [https://www.youtube.com/watch?v=75aYiJnEU2I YouTube]
|-
|-
! align="left" | Notes
! align="left" | Notes
| DJs talk over about half of total songs. Thru The Eyes Of Ruby and Thirty-three cut.
| 1979, Tonight Tonight, Cupid de Locke (cut), Thirty-three, and Thru the Eyes of Ruby. VHS-1 > CDR audio transfer circulates.
|-
|-
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings
! bgcolor="#ffe156" colspan="2" | Unsurfaced Recordings
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! align="left" | Complete?
! align="left" | Complete?
| Yes
| Yes
|-
! align="left" | Notes
| VHS(1)>CDR audio transfer of first half of show circulates.
|-
|-
|}
|}
Line 70: Line 99:
* 1979
* 1979
* Tonight, Tonight
* Tonight, Tonight
* Cupid de Locke (false start)
* Cupid de Locke
* Cupid de Locke
* Bullet with Butterfly Wings
* Bullet with Butterfly Wings
Line 76: Line 106:
* Muzzle
* Muzzle
* Mayonaise
* Mayonaise
=== Notes ===
* acoustic show
* only acoustic performance of Thru the Eyes of Ruby


== Banter ==
== Banter ==
<blockquote>
<blockquote>
(unknown)
''note: annoying DJ obscures large amount of stage banter with talking, interview snippets and playing clips of studio versions of songs''<br>
<br>
'''1979'''<br>
'''Tonight, Tonight'''<br>
BC: Thanks a lot.  Thank you for coming.<br>
D’arcy: Come again tomorrow night and you'll see us say the - play the same songs, only louder.<br>
'''Cupid de Locke''' (abandoned - doesn’t get past Iha intro)<br>
BC: Wait, hold on.  Wait, hold on.<br>
'''Cupid de Locke'''<br>
'''Bullet with Butterfly Wings'''<br>
BC: Um, we’d like to try a new song, try it acoustic.<br>
'''Thru the Eyes of Ruby''' (abandoned - Billy’s guitar isn’t quite in tune)<br>
'''Thru the Eyes of Ruby'''<br>
D’arcy: You guys look sort of sad.  ...  Okay.  I wanna say hello to [unintelligible].<br>
BC: ...si, I guess in all the bullrings.  Tough crowd.<br>
Iha: It isn't that different, no.  There’s not that much difference, they all respond [unintelligible].<br>
BC: Ahhhh.<br>
D’arcy: So it better be good.<br>
BC: Were you waiting for this?  ''(audience says “yes”)''  Alright, sorry.  Heh heh, we’re on rock and roll time.<br>
Iha: I met this guy named [unintelligible].<br>
BC: Not much happens to us, to be honest.<br>
D’arcy: You’re gonna have to wait longer.<br>
BC: A lot of the same thing over and over again.<br>
'''Thirty-three'''<br>
BC: This one goes out to radio land, wherever you are.  I like what you’re wearing.<br>
Iha: [unintelligible]<br>
'''Muzzle'''<br>
BC: ...Chicago, that oughta tell you something.  So that’s one.  Number two, um, you have to remember that when you read interviews in an art....<br>
'''Mayonaise'''<br>
</blockquote>
</blockquote>

Latest revision as of 13:50, 7 March 2021

The Smashing Pumpkins
Date 1996-05-03
Venue La Nave
Location Madrid, ES
Venue Type Unknown
Capacity Unknown
Lineup Corgan, Iha, Wretzky, Chamberlin
Order of Bands The Smashing Pumpkins
Surfaced Recordings
FM #1
Source FM
Format ANA
Equipment Unknown
Length 46m
Complete? No
Lowest Circulating Generation ANA-? > CDR
Live Music Archive 16-bit download
Notes Almost every song is cut off in some way by the DJs. Tape flip in Muzzle.
PRO #1a
Source TV
Format VHS
Equipment Unknown
Length 25m
Complete? No
YouTube YouTube
Notes 1979, Tonight Tonight, Cupid de Locke (cut), Thirty-three, and Thru the Eyes of Ruby. VHS-1 > CDR audio transfer circulates.
Unsurfaced Recordings
PRO #1
Source PRO
Format VID
Equipment Unknown
Length ~45m
Complete? Yes

Setlist


Set:

  • 1979
  • Tonight, Tonight
  • Cupid de Locke (false start)
  • Cupid de Locke
  • Bullet with Butterfly Wings
  • Thru the Eyes of Ruby
  • Thirty-three
  • Muzzle
  • Mayonaise

Notes

  • acoustic show
  • only acoustic performance of Thru the Eyes of Ruby

Banter

note: annoying DJ obscures large amount of stage banter with talking, interview snippets and playing clips of studio versions of songs

1979
Tonight, Tonight
BC: Thanks a lot. Thank you for coming.
D’arcy: Come again tomorrow night and you'll see us say the - play the same songs, only louder.
Cupid de Locke (abandoned - doesn’t get past Iha intro)
BC: Wait, hold on. Wait, hold on.
Cupid de Locke
Bullet with Butterfly Wings
BC: Um, we’d like to try a new song, try it acoustic.
Thru the Eyes of Ruby (abandoned - Billy’s guitar isn’t quite in tune)
Thru the Eyes of Ruby
D’arcy: You guys look sort of sad. ... Okay. I wanna say hello to [unintelligible].
BC: ...si, I guess in all the bullrings. Tough crowd.
Iha: It isn't that different, no. There’s not that much difference, they all respond [unintelligible].
BC: Ahhhh.
D’arcy: So it better be good.
BC: Were you waiting for this? (audience says “yes”) Alright, sorry. Heh heh, we’re on rock and roll time.
Iha: I met this guy named [unintelligible].
BC: Not much happens to us, to be honest.
D’arcy: You’re gonna have to wait longer.
BC: A lot of the same thing over and over again.
Thirty-three
BC: This one goes out to radio land, wherever you are. I like what you’re wearing.
Iha: [unintelligible]
Muzzle
BC: ...Chicago, that oughta tell you something. So that’s one. Number two, um, you have to remember that when you read interviews in an art....
Mayonaise